Scripting is disabled or not working. Please note that dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. Please note that dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Da'asa – The Haunting Sounds of Yemenite-Israeli Funk 1973 to 1984

LP (Item 861390) Fortuna (UK), 1970s/Early 80s — Condition: New Copy
Gatefold
Temporarily Out Of Stock

LP, Vinyl record album

❔

Here's a scene we want to hear more from – even after first discovering it on this amazing set! The music here is all pretty darn funky, but in a very unusual way – offbeat and exotic, yet still with some wonderful drums at the core, and lots of hip trippy touches around the edges – an electro-acoustic groove that comes from a very unique subset of the Israeli scene of the 70s! The work here was all recorded by Yemenites who'd migrated to the nation in the years before – bringing with them a unique musical culture that was then fused onto more contemporary production modes of the period – with this otherworldly vibe that's completely incredible. There's a singular freshness here that will grab you the same way as when you first heard Bollywood funk or Turkish grooves – and the whole thing comes with a very big booklet of notes on the music. Titles include "Shedemati" by The Amranim, "Sapri Tama" by David Dor, "Wa'ana Fda Leumi" by Reuma Abas, "Eshmera Shabat" by Duo Tsafri, "Neimat Pop Oud" by Lehakat Tzliley Ha'oud, "Ladema Eini" by Aharon Amram, and "Im Nin'aul" by Tsvia Abarbanel.  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Africa Seven (UK), Late 70s/Early 80s. New Copy
Funky female soul from the African scene of the 70s – much of it with a good deal of club music influence in the mix! The work here is from a time when music on the continent was absorbing a lot of modes from soul, funk, and club styles in the US and Europe – mixing older Afro Funk ... LP, Vinyl record album
Amsterdam To Nueiba
Fortuna, 1977. New Copy
A record that's as trippy as the image on the cover – sounds recorded in Tel Aviv in 1977, but which feel like they could have come from some California hippie cult in the late 60s! The music is very percussive at the core – snapping rhythms which are then spaced out by the production ... LP, Vinyl record album
Afrodesia (Nigeria), Late 70s. New Copy (reissue)
A groovy little album with an unusual sort of vibe – created with a strong message of love and understanding – delivered by Nigerian singer Christy Essien, alongside rhythms from the Show Train group of Geraldo Pino! Most tracks have a clubby sort of groove – that move into late ... LP, Vinyl record album
Drift (UK), 2018. New Copy
A great tribute to Fela Kuti from saxophonist Bukky Leo – a player with Nigerian roots, but who's been working on the London scene for decades – with music that goes back to some key early records for the Acid Jazz label, and some great releases in more recent years! Here, Leo takes on ... LP, Vinyl record album
Na Man Pass Man
Disques D'Esperance/Africa Seven (UK), Early 80s. New Copy (reissue)
An Afro Funk record, but one with a bit of an unusual groove, too – as the set was recorded in France, and features some unusual moogy touches next to the percussion, horns, and guitars! Pasteur Lappe's definitely going for more of a global funk vibe overall here – and, a bit like Ice ... LP, Vinyl record album
Africa Seven (UK), Early 80s. New Copy (reissue)
Tight Afro club grooves from Pasteur Lappe – but tracks that also have some nice roughness around the edges! The style here is often somewhat stripped-down – with rhythms that feature straight-ahead basslines and drums, which are then criss-crossed by Lappe's vocals, and peppered with ... LP, Vinyl record album
Eastern Soul EP
Fortuna (UK), 1970. New Copy (reissue)
A weird and wonderful little record – created in 1970 by a Yemenite singer who'd spent the late 60s on the LA scene – then worked in Tel Aviv with a hip Israeli combo for the album! The music is this very unique blend of spiritual jazz and Tsvia's amazing voice – which often ... LP, Vinyl record album
Strut (UK), 1960s/Early 70s. New Copy 2LP
A fantastic look at the groundbreaking sounds of the Disques Debs label – one of the most important companies producing music in the French Caribbean – and an imprint whose impact was strongly felt on the other side of the Atlantic as well! The core of these grooves is that compelling ... LP, Vinyl record album
Worthy, 1972. New Copy (reissue)
Amazing work from the legendary Mulatu Astatke – one of Ethiopia's funkiest musicians of the 70s, making a rare appearance here on this lost American recording! The album has been a holy grail for years amongst beatheads – loved for its killer blend of weird rhythms, sweet funk, and ... LP, Vinyl record album
Way
Magidisco/Ascensionale (Netherlands), 1976. New Copy (reissue)
An incredible bit of Afro Funk and soul jazz! Marius Cultier has a unique sound that's 50% 70s Afro Funk, 25% Latin, and 25% bits of breezy jazz – similar to some of the best European players of the mid 70s, or to some of the Blue Note work of Moacir Santos! This rare album from 1977 ... LP, Vinyl record album
Muslims & Christians
Habibi Funk (Germany), Early 90s. New Copy 2LP
Really wonderful work from the early 90s scene in Khartoum – sounds that have a much more 70s-styled sound than you might expect! That sound is in keeping with Kamal Keila, who was never a mainstream artist at all – and instead made material like this away from the limelight, which ... LP, Vinyl record album
Soul Makossa
As The Record Turns, Early 70s. New Copy (reissue)
Amazing Afro Funk from one of the greatest groups of the genre – The Lafayette Afro Rock Band, a funky ensemble recording in Paris in the early 70s! The group were working in a hotbed of cross-cultural styles – and brought American funk rhythms firmly into play with African influences ... LP, Vinyl record album
 



⇑ Top