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(Cover has some price sticker remnants and lightly bent corners.)
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the few good exotica albums to ever come out on Columbia, and a nice set of orchestral pieces, with a slight eastern tinge, and the kind of arrangements that were being used by Les Baxter over at Capitol. A number of tracks have a groovy vocal chorus – and titles include "Temple ... LP, Vinyl record album
(Orange label stereo pressing with deep groove. NOTE – Vinyl is oxidized on Side 1 and plays with some surface noise. Cover has some surface wear and aging, a wide center split and some fraying at the top seam, and small split in the bottom seam.)LP, Vinyl record album
Kick-ass, drum-heavy instrumentals from Earl Palmer – the player who made some of David Axelrod's work sound great in the late 60s, but who's hitting even harder here! The style's a mix of rock instrumental and R&B modes – with pounding drums from Palmer on all numbers, and bits of ... LP, Vinyl record album
The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still ... LP, Vinyl record album
A dream of a record from Gary McFarland – lightly jazzy instrumentals with a warm bossa nova undercurrent! The style is incredible – a sweet blend of vibes, guitar, and even some light whistling – often also featuring wordless jazz vocals – scatting along with the groove in ... LP, Vinyl record album