Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Songs Of The Hills

CD (Item 860953) King, Late 40s/Early 50s — Condition: New Copy
Temporarily Out Of Stock

CD

✈
❔

Not the usual sounds you might expect from postwar country music – as Wayne Raney's an unusual star from the King Records roster – one who could play harmonica as well as sing, and who definitely brought a strong boogie current to his hillbilly material! The album's a heavyweight collection of Raney's early work for King – classic singles, pulled together into a full album that's got a lot more bite than you might expect from the domestic image on the cover! Titles include "Lost John Boogie", "Pardon My Whiskers", "The Roosters Are Crowing", "We Love To Live", "My Annabelle Lee", "I Done & Sold My Soul", "Gone With The Wind This Morning", and "Catfish Baby".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Wilburn Brothers

Wonderful Wilburn Brothers
King, Mid 50s. New Copy
Great early work from Wilburn Brothers Teddy and Doyle – captured here on an early King Records album from the years before their bigger fame on Decca! The sound and style here is more close to the hills than later Wilburn records – maybe more in a Louvin mode, with plenty of blue ... CD
Starday/Gusto, Early 60s. New Copy
Joe Maphis was definitely the king of the strings back in the day – a guitarist who was so tight, he had to play a double-necked electric just to give his fingers enough to do – something that wouldn't come into vogue much later, until the 70s arena rock guitarists started to showcase ... CD
King/Gusto, Early 60s. New Copy 4CD
Fantastic work from The Stanley Brothers – the second half of their later recordings for King Records – from a time when their talents were completely sublime! The voice of Ralph might best be known to some from the earlier Columbia and Mercury sides – but his approach here in ... CD
King/Gusto, Late 50s/Early 60s. New Copy 4CD
Our favorite years of the Stanley Brothers – material recorded after they'd left the bigger labels, and really started to hit their stride for the smaller indies King and Starday Records! Both companies were completely faithful to the growing sound of bluegrass, and really let the brothers ... CD
Floating World (UK), 1920s/1930s/Early 40s. New Copy 3CD set
CD...$6.99 29.99
A hefty amount of music from the early days of the 78rpm single – great work that mostly predates the Second World War, and which is divided up into three different styles for each different disc! CD1 features rare Blues – with 25 tracks by Memphis Minnie, Sonny Boy Williamson, Lonnie ... CD

Fairport Convention

Full House (with bonus tracks)
Island (UK), 1970. New Copy
A full house, and a strong change for Fairport Convention – working here without founder Ashley Hutchings or vocalist Sandy Denny – but finding their way forward through the new strengths of Richard Thompson! Thompson contributed more songs to this album than before, and also joins the ... CD
Modern Harmonic, 1950s/Early 60s. New Copy
Fantastic sounds from deep deep in the country music underground of the postwar years – not the hits of the big artists helping to define the sound in the era of full length LPs – but the lesser-known singers who were lucky enough to be able to record a single 45! Yet although these ... CD
Bear Family (Germany), Late 50s/Early 60s. New Copy
A fantastic collection of early material by Patsy Cline – one that offers up a nice change from the usual greatest hits package, and really digs deep into some of the harder work of her early years! The set's heavy on original recordings done for the Four Star label before Patsy rose to fame ... CD
Decca/Ace (UK), Late 50s/Early 60s. New Copy
Rocking early work from Brenda Lee – a set that's filled with groovers all the way through, making for a nice change from some of the mellower sounds of her bigger hits! The package does a great job of sifting through early Lee 45s recorded for Decca and Brunswick – material that ... CD
Bear Family (Germany), Late 20s/1930s. New Copy
Turns out, the idea of bitches and ho's didn't originate with hip hop – as the hillbilly cats of the 30s were already throwing around plenty of off-color references to the women in their life! Of course, the milieu was quite different – with backing by spare string bands, and lyrics ... CD
Elektra/Wounded Bird, Late 60s. New Copy 2CD
A trio of early albums from Tom Rush – all together in a single set! First up is the really great debut album from Tom Rush – a sometimes-overlooked singer/songwriter from the Bob Dylan generation – and one who definitely deserves a rediscovery all these many years later! Tom's ... CD
Smithsonian Folkways, 1940s. New Copy 3 CDs & Book
CD...$52.99 102.99
A fittingly elegiac set devoted to folk hero Woody Guthrie from Smithsonian Folkways! This 2012 set celebrates the long-departed icon's 100th birthday, and it's a real treasure – with 57 tracks on 3CDs (21 of which are previously unreleased performances) – and it comes in a beautiful, ... CD
 



⇑ Top