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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An obscure Jazz Messengers session – but a great one! The album is ostensibly a set of jazz versions of tunes from the musical Golden Boy, and the group this time is a larger one than usual – a total of 10 players, led by Blakey – and playing beautifully over arrangements from ... LP, Vinyl record album
A landmark recording by a whole new chapter in Art Blakey's career! During the early 60s, Blakey expanded the Jazz Messengers from a quintet to an incredibly tight sextet – adding in the trombone of Curtis Fuller for an extra-punched up frontline that also included Freddie Hubbard on trumpet ... LP, Vinyl record album
One of the few live recordings ever done by Horace Silver during his Blue Note years – a real surprise, considering what a crowd pleaser he was at the time! The set catches Horace working with that great quintet that graced most of his best early Blue Notes – with Blue Mitchell on ... LP, Vinyl record album
Very nice 2LP set that collects some of Herbie's best 60s work for Blue Note – and which moves past the hits to feature some nice gems from hard to find albums. This work is a beautiful mix of tight soul jazz and freer modal playing – and nearly every track's a perfect example of why ... LP, Vinyl record album
A beautiful set from guitarist Earl Klugh – and one that really lives up to its title – a record that matches Earl's wonderful work on guitar with some sublime orchestral charts from Dave Matthews! The approach is definitely different than some of Klugh's previous work, and makes the ... LP, Vinyl record album
Brilliant work throughout – the last studio album ever cut by Lee Morgan, and a mindblowing session that always leaves us wondering how massive he would have become if he hadn't been tragically murdered shortly after it was recorded! The album's a huge change from Morgan's already-great work ... LP, Vinyl record album
Saxophonist Bill Evans plays with Manolo Badrena, Hiram Bullock, Clifford Carter, Mark Egan, Mitchel Forman, Al Foster, Jeff Golub, Danny Gottlieb, Chuck Loeb, Sid McGinnis, John McLaughlan, Marcus Miller, and Lew Soloff. LP, Vinyl record album
A crucial album for the jazz guitar in the 80s – the debut effort of Stanley Jordan, and a set that exploded with a very fresh sound! Jordan has a really unique way of handling his instrument – playing up and down the fret board with both hands – in ways that are often so ... LP, Vinyl record album
A brilliant later set from Lee Konitz – recorded for Blue Note, after many years of Lee's mighty talents being ignored by US labels! Konitz first rose up as a modernist in the postwar years, recorded important records for Atlantic, Verve, Prestige, and other labels – then mostly gave ... LP, Vinyl record album