Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Leroy Hutson Anthology 1972 to 1984

CD (Item 858348) Curtom/Acid Jazz (UK), 1970s/Early 80s — Condition: New Copy
Out Of Stock

CD

A massive tribute to one of our favorite soul singers of all time – one of the hippest cats of the 70s, and an artist that we never tire of hearing! Leroy Hutson got his start working with Chicago soul legends Donny Hathaway and Curtis Mayfield, but he quickly became a strong force on his own – a singer with an incredible voice, an arranger with a fantastic vision, and a producer who was able to create sounds in the studio that were as sophisticated as they were soulful! In that respect, Leroy is right up there with Roy Ayers for the "whole package" of greatness – and like Roy, he can also be funky and open up a groove, while still bringing plenty to play on a mellow cut too – something that few other artists can do this well. And although we grew up in Chicago, it wasn't until 80s UK rare groove interest in Hutson that we really learned of his genius – which makes it all the more fitting that this UK set does such a great job of presenting his music. The set features 19 stellar tracks in all – with titles that include "Positive Forces", "Lucky Fellow", "Don't It Make You Feel Good", "Love The Feeling", "Love Oh Love", "Think I'm Falling In Love", "Right Or Wrong", "Closer To The Source", "Cool Out", "All Because Of You (single version)", "Never Know What You Can Do", "Love The Feeling", "So In Love With You", "Lover's Holiday", "Get To This", and "Time Brings On A Change".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Curtom/Acid Jazz (UK), 1976. New Copy
One of our favorite soul albums ever – a complete masterpiece from the mighty Leroy Hutson, easily one of the greatest soul singers of the 70s! The album's got a warmth that's amazing, yet also still manages to groove all the way through – hitting a subtle, almost mellow vibe that's ... CD
Curtom/Acid Jazz (UK), 1975. New Copy
An amazing record – quite possibly the best ever by Chicago soul legend Leroy Hutson! The whole thing's a smooth soul masterpiece beyond compare – a stunning blend of great songwriting, sexy vocals, and buttery production that rank it up there with the best work of 70s giants like ... CD
Curtom/Acid Jazz (UK), 1974. New Copy
A killer early album by the great Leroy Hutson – the first set that has him stepping out as a true soul genius for the 70s! Hutson had originally been a later member of The Impressions – replacing Curtis Mayfield briefly after he'd gone solo – but he also had spent a fair bit of ... CD
Atlantic/Edsel (UK), Late 60s. New Copy 2CD
CD...$9.99 15.99
Two rare albums of southern soul from Percy Sledge – back to back on one CD – with bonus tracks too! In case you're not hip, the Percy Sledge Way is a deeply soulful one – rooted in the best 60s southern soul traditions, and carried off to perfection on this near-lost Atlantic ... CD
People Hold On
Tamla/Elemental (France), 1972. New Copy
A truly amazing album – unlike anything Eddie Kendricks ever did before, or since – and one of those records that really helped shape the sound of soul in the 70s! The music is as rich and powerful as the image on the cover – with some righteous undercurrents that really mark the ... CD
Curtom/Blixa Sounds, 1979. New Copy
Unabashed diva work from Linda Clifford – and a record that brings together the best midtempo soul of her earlier Curtom work, with the stronger, fuller disco groove that she was hitting as her career progressed! The album features some production work by Norman Harris and Curtis Mayfield ... CD
Curtom/Blixa Sounds, 1978. New Copy
The standout classic from Curtom disco diva Linda Clifford – and an album that showed that Chicago could rival Philly in the clubby groove department! Linda has a proud presence that really matches that of her better-known sisters in the City Of Brotherly Love – and she's singing here ... CD
Curtom/Blixa Sounds, 1979. New Copy
Linda Clifford goes a bit over the top with this one – a lavish double-length set, of the sort that ended up bankrupting the Curtom label during the late 70s! Linda's very much in full-disco mode, singing to long clubby arrangements by Gil Askey that have more strings than before – and ... CD
Curtom/Love Vinyl (UK), 1970/1972. New Copy
A pair of Impressions killers – back to back on a single CD! Check Out Your Mind is righteous late 60s soul from The Impressions – the group's last album with Curtis Mayfield in the lineup! The sound here follows heavily from the Young Mods and This Is My Country years – a ... CD
This Is The Beginning
Studio 10/Acid Jazz (UK), 1970. New Copy
A rare album of funky soul from the Bay Area scene at the start of the 70s – and a set that's every bit as righteous as you might expect from the cover! The group's the creation of singer/keyboardist/arranger Leon Pattillo – hence the name – and you might know Leon from his later ... CD
Minit/Universal (Japan), 1969. New Copy
A set that does a fantastic job of capturing the great energy that Ike & Tina Turner brought to their famous live appearances – honed to a sharp edge by this time in their career, thanks to countless years on the road! Ike was always as much a master of ceremonies as James Brown was on ... CD
Capitol/Universal (Japan), 1970. New Copy
One of the most obscure albums from the famous duo of Ike & Tina Turner – thanks in part to a short-lived relationship with Capitol Records – and maybe one of the funkiest, too – as the whole thing comes out of the gate with a vibe that mixes the raw sound of their R&B ... CD
 



⇑ Top