This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A great pairing of two of the coolest jazz talents of the 50s – icy-cool altoist Paul Desmond and warm-toned baritonist Gerry Mulligan! The group here continues the pianoless tradition of some of Mulligan's work of the decade – leaving plenty of room for amazing interplay between the ... CD
About as classic as you can get for the Brown/Roach group – recorded at Basin Street with a group that includes Richie Powell on piano, Sonny Rollins on tenor, and George Morrow on bass. Tracks are tight and in that firey hardbop mode the pair pioneered – and titles include "Gertru ... CD
Once an overlooked late Verve album, now a solid classic – and easily one of the funkiest albums ever from organist Jimmy Smith! The groove here is far different than the more familiar Jimmy Smith Verve sessions of the 60s – and the tracks open up in a really extended mode – ... CD
2 of the grooviest Verve 60s jazz funk sessions on one CD! Grant Green's His Majesty King Funk is a tight quintet session with Larry Young on organ and Harold Vick on tenor, and it grooves with a tightness that matches Green's best Blue Note sessions. The album is reissued here with the tracks in ... CD
An early leader session for Jimmy Cleveland – one that pulls him out of the Lionel Hampton group, and puts him in the company of a number of different all-stars – top level players that Mercury brought together in three different sessions for the album. Players include Lucky Thompson, ... CD
The second great session from two of Verve's biggest jazz stars of the 60s – organist Jimmy Smith and guitarist Wes Montgomery – an unlikely pair, to be sure, but one who work great together on the set! The real change here is in Wes' playing – as it's shifted from the mellower ... CD
This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie ... CD