This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices, to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
Adding To Your Existing Order
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A classic bit of jazzy fusion from Chick Corea and the legendary Return To Forever group that included Flora Purim and Airto! The sound of the album influenced a generation, and although the album was overlooked by groovers for years, partly due to its success, it still sounds surprisingly fresh ... CD
The moods of Bud Powell are some plenty darn ones – corners of sound that few other players had explored at this point in time – served up here especially well in the album's gentler numbers, which almost seem like evil doppelgangers to some of the more rote cocktail piano of the 50s! ... CD
A beautiful session from the mid 50s, and on that's very much in the classic imprint of the Verve label. Norman Granz pulls together some of the bigger post-swing players of the day – like Young, Eldridge, Freddie Green, Jo Jones, Teddy Wilson, and others – and has them run through ... CD
The title's a bit misleading – as a number of the tracks on here were recorded by Jacquet, and Webster only sat in on two longer jamming numbers – "I Wrote This For The Kid" and "The Kid & The Brute". Not that that's a problem – as those long numbers take ... CD
A landmark meeting of two talents! This rare session has the poet Langston Hughes reading his own jazz-based work, set to arrangements by Charles Mingus, with additional work by Horace Parlan. Hughes' voice is incredible – a bit frail, with a wispy integrity that really opens up his own ... CD
It may be just be us, but this seems like the best George Benson album we've heard in years! The songs are all very comfortably soul-based – often with vocals, and featuring some of the catchiest numbers we've heard from George a while. George's vocals have that wonderfully sweet sound that ... CD