Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Love Music

CD (Item 856910) Bell/Sony (Japan), 1973 — Condition: New Copy
Out Of Stock

CD

Also available
Sergio Mendes & Brasil '77 — Love Music ... LP 4.99

Warm mellow magic from Sergio Mendes in the 70s – a great little album that's got a sweet electric feel! The set was recorded with help from Tom Scott and Bob Alcivar on arrangements, and has a sunny southern California feel that's a nice extension of Sergio's 60s work – yet which also takes his sound to a whole new level. There's still some traces of Braziliana in the mix, but there's also a lot more straight soulful pop – really working that twin female vocal lead style nicely, and wrapping it around some great tunes like "I Won't Last A Day Without You", "Hey Look At The Sun", "Love Music", "Killing Me Softly With His Song", "Where Is The Love", "Put A Little Love Away", and "Walk The Way You Talk".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Saudade
Blue Note (Japan), 1974. New Copy
One of the rare Blue Note gems from Brazilian arranger/composer Moacir Santos – an album of incredible warmth and charm, with a sound that's hardly been duplicated again! Santos is usually best known for his early bossa arrangements in the 60s, but here he's working in the US – hitting ... CD
Velho Batuqueiro
Tapecar/Ultra Vybe (Japan), 1975. New Copy
An album that bristles with soul and life from the very first note – one of a great run of 70s samba sets recorded by Xango Da Mangueira – all of them pretty darn great! This one's got all the right elements firmly in place – immediately catchy rhythms served up by simple ... CD
Candeia
Equipe/Ultra Vybe (Japan), 1970. New Copy
Lovely samba work from Candeia – a singer with a voice that's richly expressive, but often without any effort at all – a laidback approach that's instantly compelling, laid over some lively old school arrangements! There's a bit of horns mixed in with the percussion and backing vocals ... CD
Nara Leao (1968)
Philips (Japan), 1968. New Copy
Pure genius – a lost Nara Leao album from the late 60s, and a key piece in the puzzle of late 60s Tropicalia – a set we'd place right next to equally important records by Caetano Veloso, Gal Costa, and Os Mutantes! Although Leao always gets cited as one of the more revolutionary ... CD
Bossa Hugo
Paladium/Ultra Vybe (Japan), 1965. New Copy
An overlooked album of bossa guitar from Hugo Luiz – maybe the only record we've ever seen by the musician, and a set that we'd rank right up there with our 60s favorites from Luiz Bonfa or Baden Powell! Yet there's also a difference here that nicely sets Hugo apart – a richness in ... CD
Elza Soares (1974)
Tapecar/Ultra Vybe (Japan), 1974. New Copy
Standout samba from Elza Soares – a cracker of an album from the mid 70s, and exactly the best sort of record to get you started appreciating her talents! Elza's got a great blend here – some of the soulful elements of her samba contemporaries, mixed with a bit of the fullness of ... CD
Columbia/Sony (Japan), 1964. New Copy
One of Brazil's best jazz sessions of the 60s – and one of those records that shows that although Verve and other US labels could record their own version of bossa nova, the style still always sounded best when coming from Brazil! Drummer Edison Machado really nocks it out of the park here ... CD
Sony (Brazil), 2017. New Copy CD & DVD
A fantastic live set from Vanessa Da Mata – one that has her commanding the crowd with the sort of majesty that usually is just reserved for MPB artists of the golden age – at once intimately personal, but also able to project her depth to a large audience with effortless ease! Music ... CD
Alo Vila Isabeeeel
Sony (Brazil), 2018. New Copy
Still-tremendous work from one of the greatest voices in samba music – working here in a set that's filled with lively rhythms, and which also features a few younger guests in the spotlight as well! Martinho's voice is full of charm, with this raspy edge that belies his maturity – but ... CD
Sony (Brazil), 2017. New Copy
A fantastic live set from Vanessa Da Mata – one that has her commanding the crowd with the sort of majesty that usually is just reserved for MPB artists of the golden age – at once intimately personal, but also able to project her depth to a large audience with effortless ease! Music ... CD
Nova Bossa Nova
Far Out (UK), 1998. New Copy
The first album by Marcos Valle after years and years away from the studio – a set that really reintroduced his talents to a whole new generation! The set was recorded for the Far Out label in London – a then-new imprint who were doing a great job to bring back a Brazilian groove that ... CD
Embalo
RGE/Mr Bongo (UK), 1964. New Copy
A set that's maybe one of the greatest bossa jazz albums of all time – and a fantastic homegrown Brazilian effort that's quite different from the more commercial American bossa albums of the 60s! Tenorio Jr isn't just a hell of a pianist, he's a great writer and arranger too – one who's ... CD
 



⇑ Top