A stunner from Shakey Jake – and a set that's got a surprising jazz element as well – given that the singer/harmonicist works here with Jack McDuff on Hammond and Bill Jennings on guitar! Jack and Bill were working together on other soul jazz sessions for Prestige Records during the same period – but they sound completely different here, as they recast their mighty powers to create spare grooves for Shakey Jake! Jake sings throughout – often with a raw, unbridled style that's a lot more powerful than you'd guess from his name – and he also alternates with some harmonica solos too, but still leaves room for Jack and Bill to solo a bit as well. The album's a unique gem that really brings together both sides of the Prestige sound of the period – and titles include "Worried Blues", "Tear Drops", "You Spoiled Your Baby", "Still Your Fool", "Good Times", "Huffin & Puffin", and "Call Me When You Need Me". (Original pressing – deep groove Bluesville label, with RVG stamp! Cover looks great on front, and has some light aging on the back, and a very tiny hint of a split in one corner. Still a great original copy!) © 1996-2018, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.