Scripting is disabled or not working. Please note that dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. Please note that dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

African Funk Experimentals 1968 to 1982 + 2017

CD (Item 854382) Africa Seven (UK), Late 60s/1970s/Early 80s/2017 — Condition: New Copy
Out Of Stock

CD

❔

A great range of grooves from Jo Tongo – an artist from Cameroon who definitely lives up to the "experimentals" nature of this excellent series! Jo's groove is nicely fluid – sometimes with a clubby funk mode that draws a lot from the underground American 12" scene of the late 70s and early 80s – sometimes more in a post-colonial style that reflects some of his ties with the Paris scene – and sometimes even harder than you'd expect, in the few contemporary tracks added to the collection! Tongo's really been reborn with a lot of new interest in his work – and for the package, he recorded a few new tunes that are totally great – and totally funky – which are then mixed together with his rare material of 70s vintage. The blend is perfect – funky and fresh throughout – and titles include "American Lady", "The Lion Roar", "It's The D Day", "American Lady", "Dig It Babe (parts 1 & 2)", "Ewande", "Funky Feeling", "Jangolo", and "Piani".  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Sony (Germany), Late 70s/Early 80s. New Copy
A much-needed look at the huge legacy of female singers in Turkish music during the 70s – one that stands as a great complement to so much of the recent reissues of male artists from the same time! Much of this music shares qualities with reissues on labels like Pharaway Sounds or Finders ... CD
Worthy/Strut (UK), 1966. New Copy
A pair of rare albums from the legendary Mulatu Astatke – back to back on a single CD! First up is Afro Latin Soul Vol 1 – pure insanity from the mighty Mulatu – one of his few American albums from the 60s! The record's an incredible blend of New York Latin and some of the more ... CD
African Dances
Phonodisk/Mr Bongo (UK), 1979. New Copy
A monster of an Afro Funk album – one with a hard-jamming quality that reminds us of some of the best Fela classics of the 70s! All of side one features the massive "Cunny Jam Wayo" – a cut that has layers of percussion that build up beautifully, with lots of space for strong ... CD
EMI/Mr Bongo (UK), Late 70s. New Copy
There may be lots of tambourine at this party, but there's plenty more as well – including some monstrous basslines that instantly make the record a treasure for fans of any funk styles from the 70s! In fact, despite the Nigerian origin of the set, it's probably just as reasonable for you to ... CD
Mr Bongo (UK), 1970s/Early 80s. New Copy
Fantastic sounds from the glory days of the Burkina Faso scene – a time when the country's place at the crossroads of West Africa was helping to create some really amazing music! There's no set style here that defines the groove – as some tracks seem to flow from Nigerian funk, while ... CD
Universal/Wrasse, Late 60s/1970s. New Copy 3CD
A fantastic collection – way more than just a greatest hits set of work by South African trumpeter Hugh Masekela – and instead a special package put together by Hugh himself, shortly before his death – featuring an album-by-album selection of the best cuts from his Chisa Records ... CD
Soundway (UK), 1960s/Mid 70s. New Copy
Rare recordings from the islands of Guadeloupe and Martinique in the French Caribbean – rare Afro Latin grooves from the mid 60s to the mid 70s – a fantastic compilation from the global groove compilation heroes at Soundway! The material generally has the thumping drum & ... CD
Lion, 1960s/Early 70s. New Copy
A pretty incredible compilation of Cambodia Rock – the best one we've come across – classic original Khmer Rock from scene pioneer Sinn Sisamouth and many more! The set as an effort to present this fun, groovy and yes, spectacular Cambodian Rock as it was originally heard by the people ... CD
Lion/Get On Down, 1960s/Early 70s. New Copy
Mad sounds from Cambodia – rock and roll at the core, but with a delivery that's unlike anything you'd hear in the Anglo world! There's plenty of Eastern elements going down in the music – not just the local lyrics, but other ways of putting together a rhythm, tuning a guitar, and ... CD
Lion, 1960s/1970s. New Copy
Rare pop psych from the late 60s & early 70s French scene – groovy singles from Le Coeur, Les Hamsters, Les Chimeriennes, Dan Le Bouffon, Christopher Laird, Yar & Yana and others – really cool stuff, most of which we've never heard before! Lion's Groove Club series goes on to ... CD
Etral De L'Air No 1
Sahel Sounds, 2018. New Copy
A trio of guitars, augmented by bass, all swarming around each other in a way that might well make this group the Spacemen 3 of the Tuareg scene! There's not the obvious psychedelic influence here that group had back at the end of the 80s – but the mix of guitar fuzz is equally trippy – ... CD
Dakar/Solid (Japan), 1972. New Copy
A killer bit of early funk from the great Hamilton Bohannon – and quite possibly his greatest album ever – a really unique approach to funky rhythms, with a sound that's unlike anything else we can think of! The album's got a slower funk sound than Bohannon's later disco groove a few ... CD
 



⇑ Top