Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Itsudemo Yumewo – J Hits Piano Best – Standard Best 1200

CD (Item 854076) Universal (Japan), 1995 — Condition: New Copy
$14.99 ...

CD

Gentle solo piano from Japan – a set that recalls older easy instrumental albums of the 60s and 70s, even though it was recorded in more recent years! The sole instrumentation here is piano, recorded in a lushly echoey style that has the same softly captivating vibe of later albums by players like Floyd Cramer or Peter Duchin – but differently, too – given the lack of other instrumentation. As the title implies, most tunes are Japanese hits, but served up in mellow piano instrumentals – all with Japanese titles, in a package with a dozen tracks in all!  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


CBS/Sony (Japan), 1975. New Copy
A sweet little disco party from Percy Faith – a man who cut some pretty sleepy records in the 60s, but really managed to open up his groove in the 70s! The whole thing's maybe the same disco take on older instrumental styles that Henry Mancini would cut a bit during the period, too – ... CD
Herb Alpert, 2018. New Copy
Herb Alpert remakes himself again – taking all the best tunes from his classic years on A&M records, then fitting them to contemporary grooves – all at a level that's a bit like some of the Verve Remixed projects from years back, but even better! These aren't remixes, but new ... CD
Memory Of Monica Vitti
April/Beatball (Korea), 2005. New Copy
A groovy groovy little set that's as sexy as the Monica Vitti it remembers! The album was recorded recently, but has a fab 60s sound comprised of electric harpsichord, organ, scatting vocals, and a breezy, bossa-styled groove – all done without any kitsch or fakery, and coming across with a ... CD
All Time Top TV Themes
Phase 4/Music On Vinyl (Netherlands), 1966. New Copy
A sweet little take on the TV theme world of the 60s – served up by Brit maestro Frank Chacksfield at a level that's maybe a little bit more groovy than some of his other records from the time! Frank's still working with a very full orchestra, but the songs themselves have an inherently cool ... CD
Columbia/Vocalion (UK), 1972. New Copy
A pair of groovy albums from Ray Conniff – both with a wonderful 70s vibe! Alone Again Naturally takes its title from the leadoff version of the great Gilbert O'Sullivan tune – and Ray conducts his group with a surprisingly bouncy vibe at times – mostly a sing-song mode that has ... CD
Pye/Vocalion (UK), 1974/1975. New Copy
Two great albums from Ray "funky trumpet" Davies – not the lead singer of The Kinks, but a heck of a groovy British bandleader from the 70s! First up is an album of Themes From The Exorcist and other films – all familiar movie themes from the early 70s, penned by artists like ... CD
Capitol/El (UK), 1958/1959. New Copy
CD...$6.99 13.99
Late 50s Exotica jazz gems from Les Baxter for Capitol – Africa Jazz and Jungle Jazz in a single set! Africa Jazz is one of his greatest records, and one that's got just about everything you'd ever want! Plas Johnson plays tenor, and his solos are right out front, and recorded beautifully. ... CD
Rocket Man/Mammy Blue
Vocalion (UK), 1971/1975. New Copy
A pair of 70s albums from Hugo Montenegro – back to back on a single CD! Rocket Man is excellent – very groovy stuff! After paying tribute to Stevie Wonder and Bob Dylan on other LPs, Hugo Montenegro turns his talents to the groovy compositions of Elton John in this nice album of ... CD
World Of Ike & Tina – Live
United Artists/BGO (UK), 1973. New Copy
A fiercely funky live set from Ike & Tina Turner – one that almost feels like some of the James Brown albums at The Apollo – given the expanded structure of the presentation, which also includes the whole Ike Turner universe! The show gets announced with this bold sense of pride ... CD
RCA/BGO (UK), Late 60s/Early 70s. New Copy 2CD
A really wonderful collection of work from the great Jerry Reed – some more obscure albums than his bigger hits, which makes for a really fresh selection of music throughout! Explores Guitar Country is maybe one of the rootsier efforts during the early RCA years of Jerry Reed – a set ... CD
Butler (Netherlands), Early 70s. New Copy Gatefold
One of the spookiest soundtracks ever crafted by one of our favorite film composers of all time! Francois DeRoubaix always had this amazing style to his music – unlike anyone else, especially in the way he could blend together spare acoustic elements and unusual sonic and electronic touches! ... CD
Freestyle (UK), 2018. New Copy
Brian Auger doesn't come full circle with his early work – and instead, he moves far forward – really soaring here in a tight trio setting, with even more jazz in the mix than on his classic recordings! The set's a great reminder that – despite all the keyboards, funk, and soul ... CD
 



⇑ Top