CD, LP, Vinyl record album cover art
Enlarge       Note

Good Time – Original Motion Picture Soundtrack

LP (Item 850486) Warp, 2017 — Condition: New Copy
2LP Gatefold
List Price: 25.99
Also available
Oneohtrix Point Never — Good Time – Original Motion Picture Soundtrack ... CD 13.99

The contemporary soundtrack is alive and well in the hands of an artist like Oneohtrix Point Never – brought back to a new sense of intensity that it hadn't had since the early days of electronic pioneers like John Carpenter and David Lynch! Tracks are mostly spare, but striking – and, a bit like the music to Speed, the score here has a way of referencing past modes, but condensing things with a more contemporary vibe – shaking out any of the cheesier possibilities, and really making sounds that have a strong current of darkness! Titles include "Romance Apocalypse", "The Acid Hits", "Entry To White Castle", "Ray Wakes Up", "6th Floor", "Hospital Escape", "Bail Bonds", and "The Pure & The Damned", which features Iggy Pop. (Includes download & poster!)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:


This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.


  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.


This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.


Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.

You might be interested

Logan's Run
MGM, 1976. New Copy (reissue)
Did filmmaking ever get any better than this? We'd be hard pressed to think so – what with Michael York and Farrah Fawcett-Majors running around in the future, living in a hedonistic world in which you can have anything you want, until you turn 30, and are executed! Great stuff – and ... LP, Vinyl record album
Digitmovies (Italy), 1971. New Copy Gatefold (reissue)
An early 70s score for a pirate movie – but one that's quite different than you might expect – which might be no surprise, given that the film stars the mighty team of Bud Spencer and Terence Hill! As with much of their period narratives of the time, the music is nicely mis-matched ... LP, Vinyl record album
Digitmovies (Italy), 1971. New Copy Gatefold (reissue)
A beautifully sensitive soundtrack for this early film from the team of Bud Spencer and Terence Hill – very different than most of the other western music of the time – which is a fitting accompaniment to the unique actions of the pair onscreen! There's a fair bit of acoustic guitar in ... LP, Vinyl record album
Il Cittadino Si Ribella
GDM/AMS (Italy), Early 70s. New Copy Gatefold (reissue)
A nice bit of funky crime work from Italy – a soundtrack to an obscure payback film from the 70s, done here with a nice mix of heavy beats, tight guitar, and some cool keyboards! The groove here is very much in the style of some of the best compilations of Italian cop soundtrack work we've ... LP, Vinyl record album
Chi Sei? (180 gram pressing)
Four Flies (Italy), 1974. New Copy (reissue)
A heck of a funky soundtrack – recorded in Italy by Franco Micalizzi, but with a sound that's perfectly in the American blacksploitation mode! A few tracks have really soulful lyrics in English – sounding almost like lost Curtom soul tunes – and the instrumental tracks are a ... LP, Vinyl record album
Four Flies (Italy), 1967. New Copy (reissue)
Hardly the sort of industrial sounds you might not expect – not the noisy European mode of the 80s, nor even the sort of labor-conscious styles of the Folkways generation – and instead, a sweet batch of groovy, lively instrumentals with a strong 60s vibe – of the sort that makes ... LP, Vinyl record album
Legacy, Early 80s. New Copy 2LP Gatefold
Not the instrumental music from the second season of the Stranger Things series – but instead all of those very cool early 80s songs that are always playing in the background – tunes that have turned out to be almost as important to the show as the 70s music was to the Guardians Of The ... LP, Vinyl record album
Columbia/G-Matics (Japan), 1977. New Copy (reissue)
Whimsical 70s soundtrack work from Godiego – very much in the same spirit as their catchy albums of the time! The tunes here are mostly instrumental, and have a weird mix of styles – a bit of jazz fusion here, some early electro pop there – and a few more tunes that maybe feel ... LP, Vinyl record album
I Crudeli
Bella Casa (UK), 1967. New Copy
A really wonderful western soundtrack from Ennio Morricone – done at a level that's a bit different than the usual style for the time – with more of some of the elements that the maestro might bring to later horror material! The main theme is wonderful – with a snapping snare and ... LP, Vinyl record album
Les Shadoks (with 7 inch)
WRWTFWW (Switzerland), Late 60s/Early 70s. New Copy Gatefold
Weird and wild sounds from the equally weird and wild French animated series at the end of the 60s – served up here by a classically-trained musician who also had a lot of experience with electro-acoustic sounds at the GRM studios! The music here is a dark mix of familiar elements – ... LP, Vinyl record album
Tempo/Sommor (Spain), 1972. New Copy (reissue)
A funky little record from a groovy German trio – one who recorded this gem at the start of the 70s, with a vibe that's very similar to some of the best MPS material at the time! The group features Joe Nay on drums, Pawel Jarzebski on bass, and Kristian Schultze on keyboards – the last ... LP, Vinyl record album
Fat Possum/TVZ, 1993. New Copy 2LP Gatefold (reissue)
Townes revisiting his own time-honored tunes from the late 60s onward, often backed by just a second guitar or fiddle, spare settings that maximize the stark power of his songwriting and voice! The voice is really the key here, distinctive in both the songwriting – with some of the most ... LP, Vinyl record album

⇑ Top