CD, LP, Vinyl record album cover art
Enlarge       Note

Re:Works – Piano

LP (Item 849855) Decca, 2017 — Condition: New Copy
2LP Gatefold
Temporarily Out Of Stock

LP, Vinyl record album


Also available
Various — Re:Works – Piano ... CD 13.99

Some of the most famous melodies in classical music – all served up here from core recordings in the Decca Records catalog, then reworked by a host of contemporary producers and studio talents! Make no mistake – these aren't dance tunes, and the mixers aren't out to dismantle the melodies – and instead, the approach is a bit like that great 80s moment when Mark Stewart & The Maffia built a song around the music of Eric Satie – who's featured here, alongside Debussy, Pachelbel, Beethoven, and Chopin! The package is one that's very much in keeping with some of the more contemporary, more electronic reworkings from Deutsche Grammophon – and titles include "Gynopedie No 1 (Cagedbaby rmx)", "Gnossienne No 2 (Raf Rundell rmx)", "Moonlight Sonata (Dusty Kid rmx)", "Prelude No 15 (Third Son rmx)", "Canon In D Major (Hardway Brothers rmx)", "Clair De Lune (Vito Gatto rmx)", "Gynopedie No 3 (Lixo rmx)", and "Adagio (Soul Mekanik rmx)".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Deutsche Grammophon, 2017. New Copy
Call it neo-classical, post-classical, or whatever you want – there's been a heck of a lot of new sounds and styles happening in the world of "serious" music – recordings that include both newly experimental work from artists who'd previously played in a more conventional mode ... LP, Vinyl record album
Deutsche Grammophon (Germany), 2009/2010. New Copy
Pure, simple genius from Max Richter – the kind of understated brilliance that always makes his music so compelling! The album's got this beautiful balance between melody and noise, acoustic and electronic – sounds that mostly come from Richter's hands, but which are augmented here and ... LP, Vinyl record album
Mark De Clive-Lowe Presents Church (with download)
Mashibeats/Ropeadope, 2014. New Copy 2LP
Mark De Clive-Lowe takes us to church – with a set that's easily his most soulful, spiritual record ever! The album's got a lot more acoustic elements than usual – plenty of jazz elements on tenor, flute, trumpet, and percussion – mixed with Mark's own great Fender Rhodes and ... LP, Vinyl record album
Works Piano
Between Buttons, 2017. New Copy
You might know him from his production and remix work for the clubs – but here, Henrik Schwarz shows off a completely different side of his talents – his ear for beautifully personal, sensitive acoustic piano performance! As with Bugge Wesseltoft, another artist who started with beats, ... LP, Vinyl record album
Modern Silence, 1970. New Copy
Steve Reich at the earliest point in his career – a time when the budding minimalist was really starting to make some waves on the new music scene with his instrumental compositions, but also still working with a few tape experiments too! This live performance from 1970 shows both sides of ... LP, Vinyl record album
We Want Sounds (France), 2016. New Copy 2LP
A sweet set of 21st Century disco tunes – all material that seems to draw strongly from the styles of the glory days of the dancefloor, but still pepper the music with a few contemporary touches too! The work is great – usually no-nonsense and stripped-down, without any of the too-comme ... LP, Vinyl record album
Agogo (Germany), 2017. New Copy 2LP Gatefold
It's hard not to love a band named after the oft-sampled jazz funk masterpiece by Bob James, but Japanese trio Nautilus brings the goods on their own terms! A core trio of bassist Shigeki Umezawa, keyboardist Daisuke Takeuchi and drummer Toshiyuki Sasaki, they put a really great timeless spin on ... LP, Vinyl record album
Numero, Early 80s. New Copy 2LP Gatefold (reissue)
Bebel Gilberto eat your heart out – Antena explored the same electric-bossa territory you did, nearly 20 years before your first big record! The group were a short-lived French outfit who were one of the shining jewels in the crown of the lovely label Les Disques Du Crepuscule during the ... LP, Vinyl record album
Deutsche Grammophon, 2017. New Copy 2LP Gatefold
A beautiful collaboration between two different generations of German music – the legendary Hans Joachim Roedelius, whose albums of the 70s set a whole new standard for minimalism, both on his own, and with the group Cluster – and younger pianist Arnold Kasar, who turns out to be a ... LP, Vinyl record album
Stones Throw, 2017. New Copy
Sweet instrumentals from the Jardin album by Gabriel Garzon-Montano – a set that, obviously, features no vocals from the singer – but which does include all the soulfully slinky grooves that made the main record so great! Beats are laidback, but crispy – and the instrumentation ... LP, Vinyl record album
Innovative Leisure, 2017. New Copy
A fantastic mix of beats and atmospheric instrumentation – at a level that's maybe a lot more like some of the best of the post-classical underground than it is the earlier generation of downtempo! Nosaj Thing has always had a richer, more complex approach to his music than some of his ... LP, Vinyl record album
Choose Your Own Adventure
Soundway (UK), 2016. New Copy
Malcolm Catto is at the production helm for this sweet debut set from Vanishing Twin – and you can definitely hear his touches in the music – which is often funky and trippy at the same time! The group themselves have kind of a fuzz-frequency vibe that lies somewhere between late 60s ... LP, Vinyl record album
 



⇑ Top