CD, LP, Vinyl record album cover art
Enlarge       Note

Flying Heart

CD (Item 848916) Clean Feed (Portugal), 2017 — Condition: New Copy
Temporarily Out Of Stock

CD

(€- || £- || ¥-) (approx.)

A really unusual combination of instruments – or, that is, a familiar combination – but used here in really unusual ways! The group features Taiko Saito on vibes and marimba, Niko Meinhold on piano, and Tobias Schirmer on clarinet and bass clarinet – and all instruments are often used at the gentlest side of their sonic range – so that the flow of the tones together is almost more important than the performance of any individual member – always tuneful, even when dark – but also extremely creative in the way the sounds are put together! We're used to hearing modern clarinet players work with unusual phrasings from the time of Jimmy Giuffre onward – but we've never heard that instrument combined this way with piano and vibes – with a sound that reminds us that the right players can always unlock new possibilities from familiar instruments. Titles include "Wellen", "Etude In Eb", "Snow Moon Flower", "Bikkuri", "Komodo No Kodomo", and "Feldmannchen".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Clean Feed (Portugal), 2017. New Copy
A record as enigmatic as its title – slow-building sounds crafted by the trumpet of Yaw Tembe and percussion of Monseiur Trinite – both musicians we don't know at all, but who really find a special space with this album! The sound is very open and spacious – much more in an ECM ... CD
Is Life Long
Clean Feed (Portugal), 2017. New Copy
Drummer Nick Fraser leads the group, but we're in love with the contributions of all the individual members – including saxophonist Tony Malaby, who's at his creative tonal best – and the mix of Andrew Downing on cello and Rob Clutton on bass – performing together here in a ... CD
Basement Sessions Vol 4 – The Bali Tapes
Clean Feed (Portugal), 2017. New Copy
Scandinavian jazz, recorded in Bali – in a great shift from previous volumes in this series – as all musicians play a bit of gamelan as well! Make no mistake, the format is definitely freely improvised music with a strong jazz current – with the mighty Jonas Kullhammar on tenor ... CD
If Nothing Else
Clean Feed (Portugal), 2015. New Copy
A wonderful continuation of the spirit of the previous collaboration between trumpet and flugelhorn player Susana Santos Silva and bassist Torbjorn Zetterberg – but a record that also adds in a cool extra element with the organ of Hampus Lindwall too! The music has this spacious, open ... CD
Sedimental You
Clean Feed (Portugal), 2016. New Copy
The title might be a bit of a joke, but the music here is something else entirely – tremendously well-formed, well-played work from a group headed by bassist Mark Dresser – who also wrote all the material on the set! There's almost an AACM vibe to the whole thing – a mixture of ... CD
Steve Lacy's Saxophone Special Revisited
Clean Feed (Portugal), 2017. New Copy
The Rova Sax Quartet not only pay tribute to the late Steve Lacy – whose work on soprano sax was such a huge influence on their sound – they also reunite with guitarist Henry Kaiser, a Bay Area associate from the early days who was a key part of their scene! The quartet rework the ... CD
Triangulum
Clean Feed (Portugal), 2017. New Copy
Triangulum – a great title for the wonderful energy of this group – which swings perfectly between the three sharp points of Nick Mazzarella on alto, Matt Ulery on bass, and Jeremy Cunningham on drums! These guys are freewheeling, but always soulful – not just because of Nick's ... CD
Clean Feed (Portugal), 2017. New Copy
A totally cool combination of musical elements – baritone sax and analog electronics – both played here by Jonah Parzen-Johnson with a style that's unlike anything else we can think of! Sure, saxes and electronics have come together before – ever since Richard Tietelbaum and ... CD
Rome
Clean Feed (Portugal), 2017. New Copy
An incredible solo record from Rob Mazurek – a wonderful change from some of his larger group and collaborative projects – even though we love those a heck of a lot too! This set's a great reminder of the core improvisational genius that Rob's always had, but which sometimes is ... CD
Charisma
Blue Note (Japan), 1966. New Copy
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's ... CD
Don't Stop The Groove (with bonus tracks)
Lyman/Uuquipleu, 1979. New Copy
A killer little set from funky organist Lyman Woodard – an old bandmate of Dennis Coffey, and one of the standout stalwarts of the 70s Detroit jazz funk scene! The set features Lyman working in a live setting – grooving out over some mighty long tracks that blend jazz and soul together ... CD
Don't Stop The Groove (with bonus tracks)
Lyman/Uuquipleu, 1979. New Copy
A killer little set from funky organist Lyman Woodard – an old bandmate of Dennis Coffey, and one of the standout stalwarts of the 70s Detroit jazz funk scene! The set features Lyman working in a live setting – grooving out over some mighty long tracks that blend jazz and soul together ... CD
 



⇑ Top