This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices,
to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
1987 live recording, in honor of Eric Dolphy, recorded at Sweet Basil. Three long tracks – "Bee Vamp", "Fire Waltz" and "Number Eight" – played by Waldron, Richard Davis, Ed Blackwell, Donald Harrison, and Terence Blanchard. CD
A real cooker from alto saxophonist Kenny Garrett – cut with a tight group of young lions who match his fire and imagination on every track! The set's filled with original tracks that proclaim Garrett's budding talent as a writer – and the set predates most of Kenny's bigger American ... CD
Beautiful work from Randy Weston – and a unique electric session from the 70s! The feel is very different here than the angular modernism of Randy's roots – a warmer, more flowing sound – as you'd expect from the CTI label, and from Randy's use of electric piano as well as ... CD
A really great take on the classic Herbie Hancock sound of the Blue Note years – led by Japanese drummer George Kawaguchi, but featuring some great work by Americans Donald Harrison on alto and tenor sax, Terence Blanchard on trumpet, and Cyrus Chestnut on piano. The tracks are short and ... CD
A sweet fusion set from reedman George Young – who plays tenor, alto, sopranino, and soprano sax – plus some flute as well! The album's put together by David Matthews, and has a vibe that's similar to his own 80s fusion efforts – with a real nod back to the soulful fusion styles ... CD
A great later example of the genius of Mingus with Eric Dolphy – a performance done shortly before Dolphy left on his tragic last visit to Europe in 1964, and which features both him and Mingus at their freest together! Don't mistake the album for the similarly-titled Town Hall album on ... CD
A fantastic lost set from Evans – one that features Mingus trumpeter Johnny Coles as the lead soloist in front of Evans-led modern groups that include players like Elvin Jones, Ray Crawford, Steve Lacy, Budd Johnson, Rod Levitt, and Chuck Wayne. Despite the "standards" in the title ... CD