Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Don Cosmic

CD (Item 847574) Studio One, Late 60s — Condition: New Copy
$18.99 ...

CD

List Price: 19.99

An incredible collection of work from one of the coolest musicians on the Jamaican scene in the 60s – the legendary Don Drummond – an artist who was schooled in jazz trombone, then went on to use the instrument as a surprisingly powerful force in ska, rocksteady, and reggae! This collection focuses on Don's performances for Studio One – and includes a number of tracks that were only ever issued as 45s, and which make their first-ever appearance here on album – along with a few classics, and some other unreleased takes too! Don's musicianship is superb – and he uses the trombone in a way that has the powerful punch of a trumpet, but is also tied quite strongly to the basslines in the rhythms too – an approach that was the epitome of cool back in the day. Titles include "Reload", "The Shock", "Surplus", "Coolie Boy", "Roll On Sweet Don", "The Rocket", "Rain Or Shine", "Scrap Iron", "Grooving With The Beat", "Serenade In Sound", "Green Island", "Far East", "Last Call", and "Jet Stream".  © 1996-2021, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Studio One/Soul Jazz (UK), Late 60s. New Copy
Rocksteady's got plenty of soul – so much so that the Jamaican style of the late 60s was also a huge influence on the sound of London as well! The music here is from a fantastic moment when Studio One was able to capture some of the best changing sounds in Kingston – older modes ... CD
Studio One/Soul Jazz (UK), Mid 70s. New Copy
Some of the most righteous sounds ever recorded at the legendary Studio One label in Jamaica – 70s music that marks a time when the company was moving into some of the more thoughtful, meaningful lyrics that rose to prominence during the rasta generation! The shift is no surprise, given that ... CD
Studio One/Soul Jazz (UK), Late 70s. New Copy
A set that offers up a slightly different look at the Studio One label – and at the lovers rock style of reggae that broke big at the end of the 70s! Studio One is often known for its rough-edged early classics – but right from the start, the label had a great ear for soul – ... CD
Doctor Bird (UK), Early 70s. New Copy 2CD
Tremendous work from Junior Byles – a singer with a sweet voice that would have been right at home in the rocksteady years, but which is maybe even more powerful here in a roots session produced by Lee Scratch Perry! That special Perry magic really helps balance things out with Junior's ... CD
Pressure Sounds (UK), Late 60s/Early 70s. New Copy
Mindblowing sounds from the great Bunny Lee – and exactly the kind of collection that makes us love the Pressure Sounds label so much! The track selection is wonderful – and most numbers are balanced in a unique space between reggae and rocksteady, and often have some crucial ... CD

Bunny Lee & Friends

Tape Rolling
Pressure Sounds (UK), Early 70s. New Copy
Rare gems from the vaults of Jamaican production genius Bunny Lee – material cut mostly at his home studio, in the company of some very good friends and musical associates – hence the artist listing on the set! Some of the cuts here are from rare dubplates or acetates, others are ... CD

Jimmy Cliff

Follow My Mind
Reprise/Wounded Bird, 1975. New Copy
Warmly-crafted work from Jimmy Cliff – a mid 70s set that has the singer emerging way past the Kingston scene, to a role where he feels much more like a global soul superstar overall! Make no mistake, there's definitely plenty of reggae on the album – but the record also marks that ... CD
17 North Parade, Late 70s/Early 80s. New Copy 4 CDs
King Jammy productions for roots based heavies – with 4 classic complete albums by Johnny Osbourne, Barry Brown, Hugh Mundell and Lacksley Castell and Noel Phillips – in a great box set! Each CD comes in a mini-LP replica sleeve, too! Johnny Osbourne's Folly Ranking, circa the end of ... CD
17 North Parade, 1970s/1980s/1990s. New Copy 2 CD & DVD
The Mighty Diamonds pass the knowledge – but they also pass the kouchie on the first track on the record – an indication of the way these guys can serve up wisdom with a laidback vibe that makes their message so wonderfully down to earth! The Mighty Diamonds are kind of a second ... CD
Greensleeves, Late 70s/Early 80s. New Copy 2CD
Crucial work from the mighty King Jammy – nearly a decade's worth of productions involving a host of key artists on the Kingston scene – set up with a quality that really helps Jamaican move forward at the underground, after a burst of global fame in the 70s! Jammy's got this nicely ... CD
Greensleeves (UK), 1970s. New Copy 4CD
4 albums worth of crucial dub LPs in a box set – Evolution Of Dub Volume 5 – featuring the rare Crueshal Dub and Earthquake Dub LPs from producer Ossie Hibbert and The Revolutionaires – plus King Of Dub Rock Parts 1 & 2 by Sir Coxsone Dub Sound all in a single set! Crueshal ... CD
VP, Early 80s. New Copy
Discomix versions of stellar late 70s and early 80s selections from Joe Gibbs & Errol Thompson– giving the extended mix treatment to some stellar singles by a number of great vocalists and augmented by the top notch players! The approach essentially pairs up jams for an extended mix ... CD
 



⇑ Top