This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A lost 70s score from Ennio Morricone – penned for a period piece set in 19th Century Italy, and done with a driving, dramatic sort of feel! Some of the numbers here have that subdued orchestral mode that Morricone used at his most subtle moments – a style that's not as crazy as some ... CD
A score that's arguably much better than the movie it was written for – a great Ennio Morricone moment for a 70s thriller that starred Rock Hudson! Morricone's a bit restrained, but in a way that's pretty nice – making for some lighter orchestral numbers that offset the darker mood of ... CD
The genius of Ennio Morricone – heard here in 2 different settings! Un Esercito Di 5 Uomini is a late 60s spaghetti western – but as usual with Morricone, the sound is way beyond the obvious – and comes across here with these fierce, dark musical lines that juxtapose sweeter ... CD
Wonderful lost work from Michel Legrand – a fantastic, and fantastically overlooked, 70s soundtrack – completely essential to have in a CD version like this, since most of the music hardly appeared in the film at all! The score takes off nicely from some of Legrand's more famous work ... CD
16 tracks from the Big Country, the Unforgiven, the Wonderful Country, the Scalphunters, the Return Of A Man Called Horse, the Hallelujah Trail, Hour Of The Gun, Young Billy Young, Hang 'Em High, the Horse Soldiers & the Return Of The Magnificent Seven. CD
A mix of lushly romantic bits and modern studio flourishes from Italian soundtrack lifer Stelvio Cipriani – his compositions for Il Giardino Dell'Eden from 1980 – with sweeping strings and emotionally resonant pianos, along with some synthy and more stripped down touches. It somehow ... CD
Two unusual western scores from French maestro Francis Lai – an artist who's usually better known for his romantic soundtracks of the 60s and 70s! Les Petroleuses has a nice variety of sounds – some of the slinky, sexy, Euro-styled numbers you'd expect from Lai in the early 70s, and ... CD
A later entry in the Pink Panther soundtrack series – but one that's still got plenty of great Henry Mancini touches! Themes are plenty playful, and also have some slight electric moments alongside the orchestral scoring – although most of the album's best instrumentation comes out in ... CD
A great little early 70s soundtrack from Carlo Rustichelli – one that mixes some of his sweeter touches from earlier years with some groovier styles for the time! The film's a later entry in the Don Camillo series – and it's got a soundtrack that mixes some whimsical, orchestral comic ... CD
Very cool, very groovy soundtrack from this Italian film about satanic ritual and demonic possession! The great Piero Umiliani serves up a wide-ranging batch of tracks, from breezy vocal pop numbers (with vocals by Shirley Hammer), to spooky funk instrumentals with a sort of "haunted ... CD