This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The first album on Fania Records – and a massive album that showcases Pacheco's new style – a shift from his earlier charanga grooves to a more solidly percussive style, with lots of timbales and trumpet! The album's a key turning point in 60s New York Latin – and still crackles ... LP, Vinyl record album
One of the greatest Tito Puente albums from the 50s, and a spare percussion jam session that's right up there with his legendary Puente In Percussion album! The group features Mongo Santamaria, Bill Correa, Julito Collazo, and Enrigue Marti on percussion with Tito – and the only other ... LP, Vinyl record album
Amazing early work from Ricardo Ray – material that's got a lot more fire than some of his better-known sides from the 70s! The album's a stone cooker all the way through – played by a tight young group with lots of descarga energy in their blood, and some of the pre-Latin Soul styles ... LP, Vinyl record album
Seemed like Joe was always in a mambo mood at the time he was making these sides for Tico – but that's A-OK with us, as the record's a corker – tight little grooves in Joe's best percussion/piano format! A few tracks even have some vibes, which makes for a nice sound – and titles ... LP, Vinyl record album
Hot and wild – two of the best words you could use to describe the late 60s Latin Soul material of Pete Rodriguez – especially on an album like this! This album has Pete and his combo at their best – stepping effortlessly between English-language, soul-based tracks – and ... LP, Vinyl record album
(Orange label pressing with deep groove. Cover has a split bottom seam, splitting on the top seam, clear tape remnant, light wear & aging.)LP, Vinyl record album
A strangely wonderful Latin set with a very drum-heavy approach! Cuban percussionist Walfredo plays in a large group with Louie Belson on the regular kit and "moog drum" – and the rest of the group features strong Latin players like Francisco Aguabella, Clare Fischer, Emil Richards ... LP, Vinyl record album
Wonderfully jazzy work from Tito Rodriguez – and further proof that his live albums are often some of the best he ever recorded! The set's got an earthy feel that's quite different than some of Tito's studio albums – still that tight groove he brought to Latin music at the end of the ... LP, Vinyl record album
A surprisingly groovy record! Although bossa nova isn't normally Tito's bag, he does a great job here moving into the format – picking up the pace of his usual group with some snapping beats that create a bit of a bossa flourish, even though the overall sound's still firmly in the New York ... LP, Vinyl record album
A great session from 1959 – one that features John Coltrane playing tenor in a combo that's billed as being led by altoist Cannonball Adderley – but which is really more of a Miles Davis combo, without Miles! The set was recorded in Chicago when both were stopping through the city ... LP, Vinyl record album