The "quad" here seems to be mostly conceptual – but the "live" part of the set is definitely in place! The album's a real stormer – one of the best mid 70s sides from Larry Harlow's excellent group, recorded in front of a small but enthusiastic crowd, and done with the same sort of energy as the best live albums on Fania at the time – a cooking sort of energy that connects that musicians and the audience wonderfully, and shows the sheer raw power of New York Latin during these legendary years. There's some really great live tracks on the set – including the massive 11 minute "Descarga Final" – worth the price of the record alone – the percussive "Tumba Y Bongo", and the cuts "Mayari" and "Jovenes De Muelle". Other tracks include "La Cartera", "Gracia Divina", and "Senor Sereno". (Multi-colored label pressing. Cover has light wear and small seam splits.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.