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Lion Walk
LP (Item 8458) Uni, 1968 — Condition: Very Good+
One of the weirdest, wildest albums from percussionist Big Black – a set that stretches out with a vibe that's a lot trippier and jazzier at times than some of his other work! Part of the album's strength comes from the arrangements – which are partly handled by Phil Moore, an artist who created all these other great album projects in the late 60s – often, like this one, a cool mix of exotic currents with new trends in funk and jazz – served up here by a lineup that features Moore on piano, Herman Riley and Chester Washington on tenors, Bruce Langhorn and the mysterious Brother Soul on guitars, and Thurman Green on trombone. Curtis Peagler adds in some alto and flute, and Owen Marshall plays the wild hose-a-phone, plus a host of percussion instruments too – while Big Black himself handles congas and a bit of vocals. Side one features the long jamming "Lion Walk" – and side two features "Tell Me, Do Your Conscience Bother You", "Love Sweet Like Sugar Cane", and "Come On Down To The Beach". © 1996-2024, Dusty Groove, Inc.
(Original pressing.)
(Original pressing.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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