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Napoli Violenta (180 gram pressing – with poster)

LP (Item 844610) Beat/Spettro (Italy), 1976 — Condition: New Copy
Gatefold (reissue)

A classic 70s Italian crime soundtrack – presented here in full format for the first time ever, and filled with wonderful tunes in a variety of styles! There's a quality to the music that really matches the badass image on the front – a bold, forceful approach that has the upbeat numbers strutting along with plenty of pride – and which has the mellower, more brooding tracks working themes that are simple, but which pack the same force as the revolver on the cover. Franco Micalizzi uses some great keyboards throughout – often a bit light, with a style that's sometimes veering towards electric harpsichord, but other times in a more Goblin-like mode – almost horror-styled, especially when interwoven with acoustic piano. Tunes build up with force as the soundtrack rolls on – and titles include "Rush For A Sign", "Useless Waiting", "Crime Outcome", "The Violent Face", "Fire In The Garage", "Welcome To Napoli", "Bitter Success", and the vocal number "A Man Before Your Time". (Hand-numbered limited edition of 500!)  © 1996-2018, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


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Chi Sei? (180 gram pressing)
Four Flies (Italy), 1974. New Copy (reissue)
A heck of a funky soundtrack – recorded in Italy by Franco Micalizzi, but with a sound that's perfectly in the American blacksploitation mode! A few tracks have really soulful lyrics in English – sounding almost like lost Curtom soul tunes – and the instrumental tracks are a ... LP, Vinyl record album
Spettro (Italy), 1962. New Copy Gatefold (reissue)
An early soundtrack from Italian film legend Piero Piccioni – done for one of the earliest movies by Pier Paolo Pasolini, and served up in a mad mix of jazzy styles and larger instrumentation! About half the tracks here have a crime jazz mode that echoes the American scene of the late 50s ... LP, Vinyl record album
Stuntman (180 gram pressing)
CAM/Spettro (Italy), 1968. New Copy Gatefold (reissue)
A much more playful album than you'd guess from the action image on the cover – scored by Carlo Rustichelli with some of the best modes he used in 60s Italian comedies! The instrumentation is really great – a sly blend of jazzy and mod bits, often changing up within a single track ... LP, Vinyl record album
CAM/Spettro (Italy), 1969. New Copy (reissue)
A definite killer from the great Gianni Ferrio – one of his grooviest soundtracks ever, and a set that's filled with lots of mod 60s touches! There's a bit of electric sitar, cool bubbling Hammond, and even some jazzy horn parts that make for nice flourishes over the top – all changing ... LP, Vinyl record album
Beat/Dagored (Italy), 1977. New Copy (reissue)
Dark brilliance from Ennio Morricone – a great 70s thriller that mixes in some great extra elements with the music! Il Prefetto Di Ferro has a core sound that's very much in keeping with Morricone's approach to crime and cop films – a bit warmer and funkier at times than his horror ... LP, Vinyl record album
Satanik (picture disc)
Beat/Dagored (Italy), 1967. New Copy
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Kriminal (picture disc)
Beat/Dagored (Italy), 1966. New Copy
An amazing little soundtrack that's every bit as groovy as its cover – a great blend of 60s mod and Italian jazz, all in support of the skeleton-costumed master thief Kriminal! This set represents the first full length presentation of the film's soundtrack – a long-overdue masterpiece ... LP, Vinyl record album
Beat/Dagored (Italy), 1966. New Copy (reissue)
An amazing little soundtrack that's every bit as groovy as its cover – a great blend of 60s mod and Italian jazz, all in support of the skeleton-costumed master thief Kriminal! This set represents the first full length presentation of the film's soundtrack – a long-overdue masterpiece ... LP, Vinyl record album
Trunk (UK), 1970. New Copy
One of the dreamier soundtracks we've ever heard from Basil Kirchin – a beautiful set of tunes that has an organic, almost pastoral vibe at times – as Kirchin mixes together bits of strings, guitar, piano, and percussion with other more subtle sonic elements – sometimes with ... LP, Vinyl record album
We Want Sounds (UK), 1973. New Copy Gatefold
A masterpiece of moody keyboards from the great Dave Grusin! The Friends of Eddie Coyle is a wonderful music for a superb late Robert Mitchum film – never available on record, at least that we know of – and filled with the kind of groovy, funky, keyboard-heavy lines that make some of ... LP, Vinyl record album
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Phase IV (180 gram colored vinyl – with booklet)
Waxwork, 1974. New Copy Gatefold (reissue)
A 70s sci fi film that gets a very different soundtrack approach from Brian Gascoigne – whose tracks here are all quite long, longer than seven minutes each, and work almost as mini narratives in sound – as the darker moments are illuminated by occasional lyrical touches, which are then ... LP, Vinyl record album
 



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