A wonderful tribute to this European singer – the lovely Rita Reys, served up here in a package that features five of her best albums, all in little LP-styled sleeves! First up is a record on which Rita Reys meets Oliver Nelson – and a host of other great jazz talents, including Lee Konitz, Benny Bailey, Sahib Shihab, and Klaus Doldinger! The tracks on the set are all standards, but they're done in the tightly swinging style of Nelson's best backing work for vocalists at the time – complete with those warm tones and colors that always made his work some of our favorite in this mode. The mode is a bit different for Reys, who we normally know from more fragile settings – but it works especially well here, and almost seems to compensate for a faltering quality in her vocals at the time. Titles include "The Very Thought Of You", "Quiet Nights", "The Second Time Around", "If I Were A Bell", "Ill Wind", and "Wives & Lovers". Rita A Go Go is a wonderful live set – recorded with backings by a full orchestra led by Pim Jacobs, who bring a soulful punch to the proceedings that's really wonderful – and which helps Reys step out even more strongly than usual! Jacobs plays a bit of Hammond on the set, which is especially nice to hear next to Rita's vocals – and titles include "Call Me", "So Nice", "Sunny", "Day Tripper", "Goin Out Of My Head", and "Goodbye Sadness". Today is an incredibly groovy record from Dutch singer Rita Reys – quite possibly her grooviest ever, thanks to some very hip London touches from the Scott Walker team of Peter Knight on arrangements and Johnny Franz on production! At the end of the 60s, London was definitely one of the hippest places for a vocalist to work – a place where singers like Elis Regina, Blossom Dearie, and Ella Fitzgerald all opened up their talents tremendously. Rita does the same here – working with instrumentation that's full, flowing, and perfectly pitched to handle both the upbeat moments on the record, and the more contemplative ones – cast out over a well-chosen batch of tunes that go way beyond the standards! Titles include "The Moment Of Truth", "Soon It's Gonna Rain", "Our Language Of Love", "Sing A Rainbow", "You'd Better Love Me", "More Than You Know", and "Come Back To Me". Relax With Rita & Pim is a collection of work recorded by Dutch singer Rita Reys – all done with very jazzy backing by the Pim Jacobs Combo, a group that Rita often sang with at the time! The tunes on the set have some very groovy 60s touches – light bossa rhythms, sweet 60s approaches to rhythm, and a syncopated swing that makes the record groove a bit more than some of her other work from the time. In fact, the feel of the set's so nicely swinging, that the "relax" in the title is a bit misplaced – as out of all of Rita's records, this is the one that makes us want to get up out of the chair! Titles "Summertime", "Waltz For Debby", "Can't Buy Me Love", "Desafinado", "Bluesette", "The Boy From Ipanema", "Shadow Of Your Smile", and "Fly Me To The Moon". The last album is Rita Reys Sings Antonio Carlos Jobim – a set that shows that move into moodier modes that the vocalist took in later years – with a style that works beautifully here for the bossa compositions! Backings are by Rogier Van Otterloo, but the set also features a core combo with frequent collaborator, pianist Pim Jacobs – and the blend of piano, strings, and vocals has all the right lofty currents for these classic tunes by Jobim, with almost a mature Claus Ogerman vibe to the whole record. Titles include "Dindi", "How Insensitive", "This Happy Madness", "Triste, "Song Of The Sabia", and "Once Again". © 1996-2021, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.
This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.