A real early moment of genius from reedman Sonny Fortune – a classic set cut for the Strata East label, and one that's got a lot more depth and edge than some of Fortune's later records! Don't get us wrong, we always love Sonny to death – but there's really something special going on here – a quality that has Fortune breaking from some of the straighter scenes he was working in a few years before, and going for a righteous style he'd never create this well again – a rich approach to the music that's very much at home on Strata East! Tracks are long, and graced not only with wonderfully searching solos from Sonny on alto, soprano sax, and flute – but also features trumpet from Charles Sullivan, Fender Rhodes and piano from Stanley Cowell, bass from Wayne Dockery, drums from Chip Lyle, and percussion from the heady trio of Richard Landrum, Mario Munoz, and Angel Allende. The percussion is quite heavy at times, and gives the record a really rootsy feel at some of the best moments – and tracks include the massive 15 minute "Long Before Our Mothers Cried", plus "Tribute To A Holiday", "Wayneish", "Sound Of Silents", and "Five For Trane". © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.