CD, LP, Vinyl record album cover art
Enlarge       Note

Call My Name – Selected Recordings 1964 to 1970

CD (Item 840358) CBS/RPM (UK), Late 60s — Condition: New Copy
$11.99 ...

CD

(€10.16 || £9.08 || ¥1352) (approx.)

You may not know the name of James Royal, but you'll definitely be calling it out after hearing this sweet little set – a long-overdue collection that finally brings attention to his great British recordings in the 60s! James was one of those excellent UK singers from the 60s who could effortlessly pick up influences from American soul – part of a crowd before the years of bigger singers who'd take the style to a more global audience – and maybe more rooted in the deeper currents of R&B and soul. Yet Royal also gets great help here on many tracks from arranger Keith Mansfield – who you might know from his funky sound library material – and Mansfield brings in a very groovy, very mod approach that really makes things take off – adding sophistication that takes the sound past simple bluesy rock or gritty R&B – with wicked charts that mix strings, funky bits, and other cool touches – really elevating the James Royal sound. Titles include "I Can't Stand It", "A Woman Called Sorrow", "Time Hangs On My Mind", "I've Something Bad On My Mind", "Thru The Love", "Green Days", "Hey Little Boy", "Send Out Love", "Sitting In The Station", "Which Way To Nowhere", "And Soon The Darkness", and "I'm Going Home".  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Chariot Rising
Esoteric (UK), 1967. New Copy
An amazing step sideways for London's Zoot Money – a move from mod to psych, with a trippy quality that's quite different from his jazzy sound a few years before! The group's got legendary fame – not just for the shift in styles by Zoot, but also for the fact that it features key work ... CD
Dawn/7T's (UK), Early 70s. New Copy 5CD
The complete early works of Mungo Jerry – one of the most unique groups on the British scene in the early 70s! Mungo Jerry have a style that's strongly influenced by American roots – blues, folk, hillbilly, jug, and string band sounds – of the sort that you'd hear reworked in ... CD
Cherry Red (UK), Late 70s/1980s. New Copy 5CD
A killer box set filled with some of the darker sounds to spring from the (predominantly) UK postpunk scenes – not just straightforward, black-clad, lacy-gloved goth – but a huge number of diverse, compelling tracks! This isn't the cliched goth of later years – as these are the ... CD
Page One/RPM (UK), 1970. New Copy
An album that's maybe best remembered for its connection with the world of the young Elton John – as the man himself plays piano on the record, and also contributed a number of songs – but a set that's also a standout achievement from sisters Doreen and Irene Chanter! The duo are ... CD
Esoteric (UK), 1969. New Copy
A jazz rock masterpiece from Colosseum – the kind of record that the British scene could do far far better than any American group at the time! The set is a sweet blend of late beat group grooving – using the heavy R&B-influenced guitar and organ styles of earlier years, and ... CD
Cherry Red (UK), Late 60s/Early 70s. New Copy 7CD
An incredible run of music from a really legendary band – a quintet who were as important to the British folk scene as Fairport Convention – and one who worked with an equally hip sort of vibe! Where that group featured key work from a young Richard Thompson and Sandy Denny, this one ... CD
Cherry Red (UK), Late 70s/1980s/Early 90s. New Copy 7CD
A monumental collection of indie singles from fertile Manchester scenes of the late 70s to early 90s! Starting with the intial postpunk burst of inspired activity from bands and solo artists in the late 70s – and a mind-boggling diverse lot even then – and on through the jangly avant ... CD
Cherry Red (UK), 1980s/Early 90s. New Copy 5CD
The complete works of The Membranes – one of the few groups who could find a way to mix a noisy guitar sound with some of the more forward-moving styles of the UK indie scene of the 80s – in a way that maybe made these guys not only one of the most important groups to follow in the ... CD
Church of Anthrax
Columbia/Esoteric (UK), 1970. New Copy
One of those landmark meetings of mighty talents that sounds even better on record than it does on paper – as the set somehow finds this really special space that's completely between all the best early 70s modes of both Terry Riley and John Cale! Cale was really coming into his own at the ... CD
Transatlantic/Esoteric (UK), Late 60s/Early 70s. New Copy 3CD
A very cool look at the freakiest years of the legendary Transatlantic Records label – an important British imprint that was essential to blues and folk in the late 60s, but which also released some much trippier material too! The music here is a frenetic blend of jazz, folk, prog, and some ... CD
Mushroom/Esoteric (UK), 1971. New Copy
An amazing little record that seems completely unto itself – born in that incredible early 70s moment when the UK was overflowing with elements of prog, psych, and hard rock – but served up here by a group who seem to take their own path right from the start! The instrumentation is ... CD
Esoteric (UK), 1968. New Copy
You may know Steve Howe as a key member of Yes during their glory days – but the guitarist had a rich resume of work that went back to the early 60s UK scene – including this great stint in the trio Bodast! The group was one that Howe worked with between his time with Tomorrow and Yes ... CD
 



⇑ Top