This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Max's many great records from the late 50's, most of which tend to get overlooked in favor of his more experimental sessions. The group here includes Ray Bryant, Stanley Turrentine, Julian Priester, and Turrentine's great brother Tommy – and they're joined by Abbey Lincoln on vocals ... LP, Vinyl record album
Sublime work from Max Roach – featuring a group that was one of his greatest! The album was recorded in Paris in the early 60s, and players include the Turrentine Brothers – Stanley on tenor and Tommy on trumpet – a killer frontline that really gives the album a hell of a lot of ... LP, Vinyl record album
Titles include "Legend Of The One-Eyed Sailor", "Lullaby For Nancy Carol", "El Gato Triste", "Land Of Make Believe", and "As Long As We're Together". Features vocals by Esther Satterfield! LP, Vinyl record album
Although he's best known for his vocal R&B hit "Heartbreak", Jon Thomas was also a darn good organist, and this mid 50s album for Mercury's a nice batch of sides in the same tradition as contemporaneous work by Bill Doggett and Doc Bagby. The tracks are short and lively, and Jon ... LP, Vinyl record album
One of our favorite records ever from the legendary Art Farmer/Benny Golson Jazztet – and a rare later date, recorded after their more famous albums for Chess! The lineup here is a bit unusual – in that a young Grachan Moncur III is in the combo on trombone – really adding some ... LP, Vinyl record album
A beautiful set of tracks that features Art Farmer soloing on flugelhorn over larger arrangements by Oliver Nelson. Farmer's work on the instrument was just taking shape at this point in his career, and the soulful backings of Nelson are a really great match for his lyrical tone, and widening ... LP, Vinyl record album
A great record – and one that's a lot more unified than the title might make you think! The set has Max post-Clifford Brown, post-the hardbop group that followed Brown, in his more searching soulful mode, playing with some steller younger talents like Booker Little, George Coleman, Julian ... LP, Vinyl record album
Early work from Gene Ammons – his obscure late 40s recordings for Mercury Records – mostly from the 78rpm years! Sidemen include Junior Mance, Albert Ammons, Israel Crosby, Gene Wright and lesser known Chicago locals like Wes Landers, Leo Blevins, Jess Miller and Ernest McDonald. As you' ... LP, Vinyl record album
Eddie Lockjaw Davis swings way out here – working in that cool cooking mode from the 50s, with organist Shirley Scott a very important partner on the date! The group's got a larger sound than usual – thanks to the addition of trombonist Steve Pullman – a player we don't know much ... LP, Vinyl record album