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This Ain't Chicago – The Underground Sound Of UK House & Acid 1987 to 1991

LP (Item 838270) Strut (UK), Late 80s/Early 90s — Condition: Sealed
2LP Gatefold

This ain't Chicago, but the sound here owes plenty to the Windy City as well – as the collection documents an amazing criss-crossing of cultural modes that occurred when early UK house musicians took the sound of the underground into the bigger British club scene! In a way, this music's a third chapter in a journey that began when the post-disco American underground were digging the styles of the British electronic generation – then began to craft their own music with early house productions from Chicago and Detroit. These rose in such popularity with UK listeners, that by the end of the 80s, the grooves reversed themselves, and flowed back over the Atlantic – inspiring musicians like these to take the best elements of American house music, particularly Chicago acid, and push it even further into something new! And while the generation yielded plenty of lame tracks and crossover pop, this set shows the real deal – those excellent initial singles that made digging UK singles almost as great as US ones, at least for a brief while. 2LP package features 10 titles that include "Take Me High (mansion mix)" by Colm III, "Show Me What You Got (acid mix part 1)" by SLF, "Jealousy & Lies" by Julian Jonah, "Where's The Love Gone (rmx)" by Julie Stapleton, "Safety Zone" by Exocet, "Pressure Dub" by Ability II, "1666 (pyro-maniac mix)" by MD Emm, "Free To Be" by Window Smashers, "Twin Tub" by Return Of The Living Acid, and "Crashing" by Baby Ford.  © 1996-2021, Dusty Groove, Inc.

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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