One of the few albums ever recorded by Red Callender – a player who certainly speaks "low", given that his instrument here is the tuba! Red's got a rumbling, bassy sound that's surprisingly un-corny – an approach to the tuba that's also informed by Callender's many years playing bass on other jazz dates – and in a way, he uses the instrument almost like a bass on this set – working out lower rhythmic lines that almost remind us of a bowed bass at times! Other players on the date include Buddy Collette on flute and clarinet, Vince De Rosa and Irving Rosenthal on French horns, Bob Bain on guitar, Red Mitchell on bass, and Bill Douglass on drums. The absence of a piano makes for a mighty nice sound – one that's lighter than you might think for a tuba-related date – and which steps along with almost a Chico Hamilton Quintet sort of feel. Titles include "Cris", "A Foggy Day", "Nice Day", "Speak Low", and "Darn That Dream". (Black label pressing with deep groove. Cover has a split top seam, a Factory Sealed sticker on the opening, and peeled spots from sticker removal.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.