CD, LP, Vinyl record album cover art
Enlarge       Note

L'Aventure Du Jazz Vols 1 & 2 – La Musique Du Film De Louis Panassie 1969 to 1972

CD (Item 834671) Fremeaux & Associates (France), Late 60s/Early 70s — Condition: New Copy
2CD
$9.99 ...

CD

(€8.47 || £7.46 || ¥1128) (approx.)

A pair of soundtracks to a film project by director Louis Panassie – a movie that presents the story of jazz, but through a range of performances that also include gospel and a bit of blues – all with music performed exclusively for the film! Much of the work is in a trad and swing mode, but with more modern currents too – a bit like the approach used by the French Black & Blue label on their own recordings of the 70s! One of the most interesting things about the set is the spareness of some of the performances – as there's a few drum solos, some other bluesy moments, and even just some vocal and piano passages – all of which makes the music way more than just a rehash of the familiar for just another jazz film. Milt Buckner on organ and Jo Jones on drums come together on six tracks; two more feature Memphis Slim on vocals and piano, one with singer Madeleine Gautier; Willie The Lion Smith plays piano and sings on three tracks; Sister Rosetta Tharpe does the same on three more; The Stars Of Faith sing on two numbers; Tharpe returns on four more with guitar and vocal; Zutty Singleton on drums and Cliff Jackson on piano duet on three tracks; the Buddy Tate Celebrity Club Orchestra perform three more numbers; John Lee Hooker sings and plays guitar on two tracks; and there's also drum solo performances from Cozy Cole, Zutty Singleton, and Michael Silva.  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Fremeaux & Associates (France), Late 60s/1970s/1980s/1990s/2000s/2010s. New Copy 3CD
A tribute to a legendary Parisian jazz club that's been making music from the late 40s onward – a venue that supposedly inspired the famous Cavern of Beatles/Liverpool fame – and one that's still going strong well into the 21st Century! The collection features the kind of jazz that's ... CD
Fremeaux & Associates (France), Late 50s/Early 60s. New Copy 3CD
A wealth of rare live material from legendary pianist Oscar Peterson – all recorded in Paris during a time when his star was really rising on the global scene! All material was recorded for French radio, at the Olympia Theater in the city – and the package mostly features the famous ... CD
Fremeaux & Associates (France), 1920s/1930s/1940s/1950s/Early 60s. New Copy 3CD
A whoppingly huge survey of the role of female talents in jazz – not just the usual singers who are so often put at the foreground of the female jazz canon, but also a range of instrumentalists and female jazz groups – all pulled together here in material from the earliest days of jazz ... CD
Fremeaux & Associates (France), Late 30s/1940s/1950s/Early 60s. New Copy 3 CDs
A fantastic collection of music – 66 tracks that show the huge influence of Cuban rhythms in American music during the mid-century years – presented here in a wider range of styles than you might expect! This isn't just Latin music, made by Cuban cats hitting the New York scene – ... CD
Fremeaux & Associates (France), 1961. New Copy 2 CDs
A really great live set from the legendary Les McCann – recorded in Paris at the start of the 60s, and with a much grittier feel than some of his studio records of the time! The tracks are often long, and quite freewheeling – and you really get a sense of what a charismatic presence ... CD
Vibraphone Jazz
Fremeaux & Associates (France), 2017. New Copy
CD...$7.99 18.99
The title definitely gets it right – but also only gives you part of the picture here – as Jean Michel Davis not only plays vibes, but also a bit of marimba – and the album's split up into three different sections that each offer a slightly different take on the instrumentation! ... CD
Josh Music, 1968. New Copy
A totally great little album from Gap Mangione – the lesser-known brother of Chuck! The difference between Gap and Chuck was that Gap was always hipper, cooler, and a bit funkier – as you'll hear in this excellent debut LP from 1968! Gap's working here in some amazing territory – ... CD
Yakhal Inkomo
Jazzman (UK), 1968. New Copy
A real treasure from the South African scene of the 60s – and the kind of record that we thought wasn't being made until the following decade! Tenorist Winston Mankunku Ngozi rivals the genius of Coltrane and Wayne Shorter here – both artists to whom he dedicates a key track on the ... CD
Astral Spirits, 2017. New Copy
One of the trippiest Rob Mazurek albums in years, and one of the most mindblowing too – and that's before you even put on 3D classes to look at the album's cover art! The set was recorded at the experimental studios in the Marfa art colony in Texas – and Rob plays solo throughout, in ... CD
Cerulean Canvas
Black Warrior, 2017. New Copy
Maybe the greatest album we've ever heard from saxophonist Sherman Irby – and that's saying a lot, because he's given us some really fantastic records over the years! Yet while those albums were always graced with Irby's wonderful tone and phrasing on alto sax, this set seems to showcase an ... CD
Charles Earland Anthology
Soul Brother (UK), 1970s. New Copy 2CD
Magnificent! Charles Earland may well be our favorite-ever jazz organist – and after you hear this set, he'll probably be yours too! Charles really didn't emerge as a name until the beginning of the 70s – and although that decade did some nasty stuff to some of the 60s best organ ... CD
Turn This Mutha Out
Kudu/Soul Brother (UK), 1977. New Copy
A great late 70s chapter in the career of funky drummer Idris Muhammad – moving into very different territory here than his early soul jazz with Lou Donaldson, and even his earliest solo material too! David Matthews arranged the tracks, and he's given them a slick but soulful sound, with lots ... CD
 



⇑ Top