This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank —
please understand that the final rate charged to you by your bank may differ.
Adding To Your Existing Order
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
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to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A nice bit of funky organ work from Jimmy McGriff! The record's recorded with a slightly larger than usual band – but that's a good thing here, as players like Horace Ott, Cliff Davis, Richard Evans, and Everett Barksdale provide a strong bouncy groove, which Jimmy uses to solo over the top ... CD
Tightly grooving, jukebox thumping, hard wailing organ jazz from the great Jimmy McGriff – one of his best albums for the Sue label! Jimmy's got a sound here that's a lot rawer than earlier work – especially on the album's originals, like "Spindletop", "One Of Mine" ... CD
A classic live set by McGriff – freer than some of his other singles for Sue, with an open-ended quality that really lets him do his thang! His group includes Larry "The Lar With The Flair" Frazier on guitar – a semi-mad talent from Chicago, inspired by George Freeman, and ... CD
A great CD that brings together 2 of Curtis Fuller's rarest LPs! On South American Cookin, Curtis' soulful horn is matched by a tight group that includes Zoot Sims on tenor, Tommy Flanagan on piano, and Dave Bailey on drums – who's playing here in tip top form. All tracks have a nice ... CD
Although the name of George Wein is usually associated with some super un-hip trad jazz projects, this album's actually a pretty cool batch of grooves that matches Wein's older jazz tendencies with some newer styles of playing – and some good electric instrumentation on the best cuts. The ... CD
Forget the "blues" in the title – because the set's as much a soul jazz cooker as any of Groove's classic records for Prestige! The format's a bit different than usual – in that Groove solos on Hammond over large arrangements by Onzy Matthews – in a sweet organ/big band ... CD
Two 60s albums by Charlie Byrd, back to back on one CD! Byrdland features Charlie in small group settings – grooving with sax by Teo Macero, trumpet by Hal Posey, and bass by Joe Byrd. The tracks are a mix of bossa tunes and pop numbers – including "Meditation", "Samba ... CD
We can never get enough of Eddie Harris – and a record like this is a great reason why! Despite all the many different settings Eddie worked in at Atlantic, he still always stayed true to his roots – and a record like this is a perfect example of that – no electric horn, no funk, ... CD
Duke Ellington and Mary Poppins? Sounds like a terrible combination – but it's actually pretty darn great! You see, the key words in the title are "plays with" – as Duke takes the core score of the film and, working with Billy Strayhorn, comes up with some groovy little ... CD