This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Excellent material from Sonny Criss' late 60's comeback period! By this point, Criss had a sound, style, and maturity that was unmatched by any of his LA contemporaries – a way of blowing the alto that was neither boppish, nor cliched in R&B modes – and instead burst forth with a ... LP, Vinyl record album
Fantastic! This is one of Sonny Criss' masterworks, and an amazing tribute to the LA jazz underground of the 60's. Horace Tapscott composed and arranged all of the tracks on here, and they form a beautiful, soulful, suite that gives Criss a perfect backdrop for his meaningful solos. The work is ... LP, Vinyl record album
A fantastic album – one of the landmarks of the American 60s avant garde, issued only in Europe by the Fontana label. The Jazz Composer's Orchestra for this recording features a large set of players that includes Steve Lacy, Jimmy Lyons, Archie Shepp, and John Tchicai – playing 3 long ... LP, Vinyl record album