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May have marks on all parts, too many to qualify as Very Good-,
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and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location – ... LP, Vinyl record album
A sweet and mellow set from flutist Paul Horn – with a sad, sleepy, and wonderfully late nite feel! Ralph Carmichael arranged and conducted the set – and most of the tracks feature the Ralph Carmichael Singers in the background, singing in a really moody style that adds a nice edge to ... LP, Vinyl record album
Easy grooving magic from Paul Horn – a record that has his exotic flute work paired up with arrangements by Oliver Nelson – making for a session that's got a lot more punch than usual for Horn – in a mode that we like quite a lot! The flute's in the lead on all tracks, but the ... LP, Vinyl record album
Paul Horn follows up his Inside The Taj Majal set – in someways leaving behind the stark, spare initimacy of that set for a more layered and tailored approach – and also leaving behind his more pronounced jazz roots for a more earthy and nature themed mode! Like Inside, it's a solo ... LP, Vinyl record album
A classic meeting – the icy alto of Lee Konitz, with the mellifluous sound of the Gerry Mulligan quartet that included Chet Baker, Larry Bunker, and Carson Smith. The material was recorded in 1953 at The Haig in LA – and tracks include "Broadway", "Sextet", "Alm ... LP, Vinyl record album
Very groovy! This album's a great soul jazz take on the Hair score – led by trumpeter Bobby Bryant, who was turning out some very nice stuff in the sweet pop soul jazz style of the LA scene of the 60s. The group is great – and Paul Humphrey's on drums, Joe Sample's on electric piano, ... LP, Vinyl record album
One of our favorite albums by guitarist Joe Pass, rather spare, featuring Joe in a very intimate setting – guitar with little other backing, save for light percussion, and some occasional instrumentation, like vibes or organ. The mood is very gentle, which is perfect for Pass' light touch on ... LP, Vinyl record album
A really cool concept for a record from Bud Shank – one that has the reedman on some nicely moody flute, with backing from a group that features Joe Pass on guitar! The record's a key entry in that short 60s genre of folk-meets-jazz – and Shank brings some great tones to bear on the ... LP, Vinyl record album
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – ... LP, Vinyl record album
This album's got a very telling title – as Joe's guitar is working here with bigger arrangements by Bob Florence, backings that go for a mod 60s sound! Florence uses a range of instrumentation on the set, plus some occasional vocal choruses, all in a mode that's got some very nice mid 60s LA ... LP, Vinyl record album
A 60s repackaging of classic early stuff by Chico Hamilton, featuring a set of the kind of west coast chamber jazz arrangements that made him a huge hit with the crowds in LA. The group features Buddy Collette, Jim Hall, and Fred Katz – and titles include "The Sage", "A Nice ... LP, Vinyl record album