A fantastic collection of work from the overlooked Ego label – four rare albums, originally issued only overseas! First up is Dwellers On The High Plateau, by pianist Vince Benedetti – soaring, spiritual soul jazz! The set's built around the piano and compositions of Vince Benedetti – but it really kicks from some great rhythmic accompaniment from Billy Brooks on drums and Eric Peters on bass, both of whom spin out these warm, long, flowing grooves that seem to get more out of Benedetti's work than we've heard on other records. The album also features some great work on soprano and tenor sax from Andy Scherrer – blowing snakey lines that cut through the rhythms with a very nice edge. Titles include "Dwellers On The High Plateau", "Gone", "The Black Notes", and "The Call". Next up is The Last Call – one of the most obscure early albums from reedman Dave Liebman – a set that was recorded in the US, but only issued overseas! The album features Liebman in two different modes – the first a relatively free, surprisingly spiritual setting – as Dave blows tenor on two long tracks, with just the drums of Jeff Williams behind him. Other material is a bit more structured, with those angular lines that Liebman brought to some of his more famous work – a real precursor for a generation of saxophonists who were inspired by these sounds. On these cuts, Liebman plays tenor and soprano sax – and works with Mark Isham on trumpet, Michael Formanek on bass, and Mike Barsimento on drums. The piano-less group has a wonderful sound – lots of soundshaping between Liebman and Isham especially – and titles on the album include "Wind Blues", "The Last Call/First Visit", "Your Lady", "Thoughts Of Loss", and "Leprechaun". Next is Home Again, by the group changes – a combo that features very strong contributions from trumpeter Uli Beckerhoff, saxophonist Wolfgang Engstfeld, pianist Ed Kroger, bassist Peter Bockius, and drummer Peter Weiss! Like most of the best on the Ego label, there's a strong rhythm section here that really lets the soloists open up and do their thing – never going too far out at all, but crafting these warmly soulful lines, with a slight spiritual undercurrent – stretching out with a rich feeling, but a sound that's never forced or overdone. Titles include "Home Again", "Trees", "Samba Du Commerce", and "Blues For Ed". Changes follow again, with the album Some More Changes – a record with a sound that really represents the strongest modes of soulful jazz that developed in the 70s! These players all clearly have a knowledge of outside territory, but choose to remain closer in – yet always point towards the beyond with both their solos, and their wonderfully strong writing in the set – a bit like some of the best work on Muse Records in the 70s, such as albums by Woody Shaw or Kenny Barron! There's definitely a similar vibe to those records here – especially in the sense of cohesion that comes from the lineup – Uli Beckerhoff on trumpet, Wolfgang Engstfeld on soprano sax and tenor, Ed Kroger on piano, Detlef Beier on bass, and Peter Weiss on drums. All tracks are originals – and titles include "Kenny Make It", "Yaiza", "Akiko", "Hautkontakt", and "Last Chance". © 1996-2017, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.
This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.