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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A rare 1954 date from saxophonist Al Cohn – not issued to the public until this 1970 LP, but easily one of Al's best from the early days! The approach is straight and simple, something Al didn't always get – and the group's a quintet with Hal Stein on alto and Harvey Leonard on piano. ... LP, Vinyl record album
With Mark Egan on bass, keyboards, and programming, Danny Gottlieb on drums and percussion, Bill Evans on sax, Clifford Carter on keyboards, Steve Khan on guitar, and Stan Samole on guitar. LP, Vinyl record album
Rod Levitt led one of the hippest large groups of the 60's, and although his work was barely recognized at the time, and all but forgotten now, these RCA records of his stand as a constant tribute to his brilliant skills as an arranger and leader. These cuts are short and quirky, with ensemble ... LP, Vinyl record album
A standout classic from Gary Burton – the kind of fresh-voiced and angularly modern session that showed why his sound on the vibes was one of the most revolutionary in jazz at the time! The session features a quartet with Larry Coryell on guitar, Steve Swallow on bass, and Bob Moses on drums ... LP, Vinyl record album
Crackling live energy from Buddy Rich – recorded at Ronnie Scott's nightclub in London, and with a sound that recalls some of Buddy's best from the 60s! The group is plenty great – and the attraction here goes way beyond just Buddy's famous work as a leader. As with other Rich albums ... LP, Vinyl record album
A great set, and one of the few obscure sides of west coast jazz from Jack Montrose (not to be confused with east coast player JR Montrose). Shorty Rogers supervised the session, and the album features some open-ended tracks done in quintet format that are similar to some of Shorty's best work for ... LP, Vinyl record album
Totally groovy work from John Dankworth – a 70s album that features slightly electrified versions of some of his older film and TV themes! The approach is quite different than the originals at times – with horn passages that are even quirkier, and some cool use of electric piano by ... LP, Vinyl record album
Soaring organ work from Brian Auger's Oblivion Express – and arguably the greatest album he ever cut with this post-Trinity group! The sound here is clean and lean – with Brian himself on a mix of organ, piano, and moog – really hitting a nice jazz funk mode that drops some of ... LP, Vinyl record album
A nice live cooker from Wild Bill Davis! This album was recorded at Grace's Little Belmont, a club in Atlantic City in 1967, a place where organist Davis had played almost every summer for over twenty years. He is joined by Clayton Robert Brown on tenor sax, James "Dickie" Thompson on ... LP, Vinyl record album
Swing session with small group backing by Billy Strayhorn, Jimmy Woode, Sonny Greer, and Clark Terry – and which features Johnny's warm tones soloing nicely on comfortable standards. All of side one is a "ballad medley", with a very Creamy sound, and titles that include "But ... LP, Vinyl record album