This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
One of the funkiest records ever cut under the direction of Leonard Feather – a sweetly grooving little set that's filled with tight changes and lots of soulful riffing! Feather wrote and arranged the date, but the real strength here is the players – Mainstream Records hipsters who ... CD
One of the greatest moments ever from west coast bassman Henry Franklin – a set of soaring, spiritual power – and a key demonstration of his rich energy as a leader! Franklin heads a wicked lineup here – playing both Fender and acoustic bass amidst other players who include Bill ... CD
Rare early work from Hannibal Marvin Peterson – doing it live at the Burning Bush in Denton, TX in November of 1968, around the time Peterson was still a student at North Texas State University – an incredible formative live document of one of the great soul jazz players, in a more ... CD
The title certainly gets it right – as the set's one of the best (and one of the few) albums that trombonist Curtis Fuller cut in the 70s – a searingly sharp session that really shows a change from some of his Blue Note modes of the 60s! There's a current of righteous energy that moves ... CD
A surprisingly soulful session from saxophonist Buddy Terry – a really righteous little record that reminds us a lot of work from the Strata East or Black Jazz labels! Buddy's working here with a relatively large group, but in a way that's really free and spontaneous – not nearly as ... CD
A killer set from pianist Mike Longo – one of those albums that always make us think that the 70s may well be Longo's best decade on record! Mike plays all acoustic piano here, but with a style that also shows a strong knowledge of Fender Rhodes – an instrument he used a lot at the ... CD
Sweet 70s work from saxophonist Pete Yellin – a set that's almost as noteworthy for its electric piano lines by Hal Galper as it is for Yellin's solos on alto and flute! Galper's warm keys really help add a lot to the session – bringing in a slightly righteous tone, even when tunes are ... CD
Tasty small group work from Groove – with Mr Holmes himself on organ, and the great Larry Willis on electric piano – coming up with a twin electric organ/piano sound that's similar to the one that Groove used on his Comin On Home LP for Blue Note. The difference here is that things ... CD
Twin organs back to back – and a heck of a hard-wailing set from Groove Holmes and Jimmy McGriff! The album cooks from the very first note – and features long tunes that open up with the same sort of solo-heavy approach that you'd get on Holmes' Prestige albums of the 60s – very ... CD
Groove Holmes and Jimmy McGriff go head to head in this double-organ extravaganza! The set was recorded live in Boston in 1973, and it features some of the most furiously funky live organ grooving you'll find this side of Root Down – and a whole lot of super tight jazz jamming! The group's ... CD
Understated genius from McCoy Tyner – and exactly the sort of record that shows why his catalog is always worth searching out! The album's got a lot more subtlety than his immediate post-Coltrane sides of the 70s – righteousness maybe a bit more on the backburner, but not so much so ... CD
One of Ellington's greatest albums of the 60s – and a record tinged with Eastern themes and darkly angular modern arrangements. The group here features Ellington stalwarts Johnny Hodges, Paul Gonsalves, Harry Carney, Cootie Williams, Mercer Ellington, and Rufus Jones – and the players ... CD