CD, LP, Vinyl record album cover art
Enlarge       Note

Celestial Vibrations

CD (Item 825945) SWN/Soul Jazz (UK), 1978 — Condition: New Copy
$16.99 ...

CD

List Price: 22.99
(€14.28 || £12.77 || ¥1898) (approx.)

A beautifully trippy set of tracks from Edward Larry Gordon – an artist who's probably better known for his later Laraaji album recorded with Brian Eno, but one who sounds even better here on this debut set! The sound is very spiritual and meditative – long, drawn-out, side-long tracks that feature Gordon playing a weird, electrified zither – an instrument that's hardly the hokey, European-sounding one from mid-century – and instead a very tripped-out, abstracted one here – very spacey, with some great phase shifting employed in the studio, which creates an almost electronic pulse out of the acoustic instrumentation. The album features two very long tracks – "All Pervading" and "Bethlehem" – done in a way that would make Alice Coltrane proud!  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Soul Jazz (UK), 2017. New Copy
An album with an ancient-looking image on the cover, but one that actually represents the continuing tradition of ritual percussion in the Haitian scene – a fantastic musical legacy that began with voodoo practices in the 18th century, but which has continued to transform as the years moved ... CD
Soul Jazz (UK), Early 60s. New Copy
Not the usual Nigerian funk collection you might expect – as the music here is from the years before Fela Kuti and other artists exploded onto international 70s fame – and instead, come from a time where the Nigerian scene was busy drinking up influences from a range of other cultures ... CD
Tiger's Milk (UK), Late 60s/1970s. New Copy
Peruvian grooves from the heights of the Andes – but music that also resonates strongly with the hipper Latin styles of the South American scene at the time! These aren't the moody pan flute numbers that were popularized abroad in the 60s – the kinds of records that played big with the ... CD
Oriki (France), Mid 70s. New Copy
A fantastic collection of funk from the 70s scene in Ivory Coast – music that's every bit as heavy on jazz-based solos as it is on the grooves – with some especially strong sax lines that really give the tunes a lot of soul! The music here is nice and raw, and often very stripped-down ... CD
Modern Egyptian Music
Habibi Funk (Germany), Early 80s. New Copy
Modern Egyptian music, circa 1983 – served up here in a collection of recordings that initially only appeared on cassette! The leader of the group is Al Massrieen, but the music is a very collaborative affair – keyboards, upbeat rhythms, and vocals from many group members – in a ... CD
Say You Love Me
Awesome Tapes From Africa, 1985. New Copy
An awesome tape from Africa, but a set that also shares lots with the American soul scene of the 80s too – as Om Alec Khaoli draws heavily on the bass and beat-heavy club sounds the time! The tracks were recorded in Soweto and Johannesburg, but have a groove that's strongly electric soul ... CD
Under Burning Skies
Strut, 2017. New Copy
Excellent work from Souljazz Orchestra – a group who've consistently been one of the strongest contemporary Afro Funk ensembles for the past decade or so! There's a richness to the Souljazz approach that sets them apart from other groups that might just be going through the motions – ... CD
Pony Canyon (Japan), Late 70s/1980s. New Copy
A more modern entry in this cool series of Japanese pop singles – one that focuses on a time when the scene was digging disco grooves, 80s electro, and other lively styles – all woven into a fresh sort of tapestry for the Japanese singers in the collection! As with the other volumes, ... CD
Ostinato (UK), 1970s. New Copy
A stunning discovery in music – incredible sounds from the under-documented Somali scene – collected together from an archive of tapes that was rescued from a radio station right before the nation's years of political turmoil! The music here was mostly issued on cassette in the 70s and ... CD
GT/Sony (Japan), 1970s/Early 80s. New Copy
Cool Japanese groovers from the 70s and early 80s – served up here in a range of great styles that run from string-laden pop to some of the more electronic modes that would come into play in later years! Apart from one track by the Yellow Magic Orchestra, all the other artists here are ... CD
Fremeaux & Associates (France), Late 30s/1940s/1950s/Early 60s. New Copy 3CD
Some of the earliest recordings of voodoo work from Haiti – served up here in a 3CD collection that includes a surprisingly huge amount of material! Some of the rawest work here was recorded in the field, but with clarity enough to make the chanted vocals and heavy percussion come through ... CD
Electronic Tapes
Habibi Funk (Germany), New Copy
CD...$7.99 15.98
Quite an unusual package – one that brings together unheard electronic experiments from Ahmed Malek – the Algerian composer who's better-known for more famous soundtrack material in the 60s and 70s! The music here is all from rare tapes that were Malek's own experiments, and are ... CD
 



⇑ Top