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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A groundbreaking album, put together by Zorn and a group of downtown New York hipsters, as a fitting hommage to the genius of Ennio Morricone! The track list sticks to mostly the bigger known numbers, and the album's got a darkness that we'd actually say was a bit out of place, considering the ... LP, Vinyl record album
One of our favorite Zorn "tribute" albums from the 80s – in this case a set of long pastiche tracks that pays hommage to pulp writer Mickey Spillane, Albert Collins, and the film Forbidden Fruit. The track "Spillane" is the best – a side-long number that features ... LP, Vinyl record album
Bill Frisell goes to Nashville – and finds a whole new outlet for his tremendous talents on guitar! The record's definitely got some of the elements you'd expect – some dobro from Jerry Douglas on another of tracks – plus bits of banjo, mandolin, and even some harmonica – ... LP, Vinyl record album
One of Yusef Lateef's most fantastic records, and an album that grooves in a way that few of his other ones do. Recorded live in 1964, this material was part of the same session that comprised the classic Club Date LP, which included the track "Brother John" (not on this album). This ... LP, Vinyl record album
A real classic by Cal – one of the trademark albums of his time at Verve, and a unique blend of jazz, Latin, and other groovy influences! The tunes have that lightly jazzy approach that made Cal a hit with the radio and jukebox crowds at the time – a bossa-influenced mix of vibes, ... LP, Vinyl record album
A seminal 70s side from Miles Davis – originally a Japanese recording, and one that returns to the solid push of the initial electric years! The record's a completely cooking little session – one that mixes the raw, noisier styles of other Davis albums with a focus, funked-up energy ... LP, Vinyl record album
A wicked bit of funky jazz from reedman Harold Alexander – and a set that's much sharper and harder-edged than some of his later work! There's maybe a bit of freedom in the mix, here too – some post-Coltrane spiritualism that mixes with some of the more funk-based currents – ... LP, Vinyl record album
Art's blowing with a quiet intensity here – not as far out as you might expect from the title, but with that crisp genius that still graced all of his records from the time! The album features a quartet with Dolo Coker on piano, Jimmy Bond on bass, and Frank Butler on drums – working ... LP, Vinyl record album
An incredibly strong set by McCoy Tyner – one of his best late 60s sides for Blue Note! The album features McCoy working with a larger group that includes Lee Morgan, Julian Priester, James Spaulding, and Bennie Maupin – using the spiritual ensemble mode that would become his greatest ... LP, Vinyl record album
One of the oddest Eddie Harris records for Vee Jay! One side's got a very young Muhal Richard Abrams doing the arrangements and playing piano, and features two great original tracks "Half & Half" and the extended "Yeah, Yeah, Yeah", which features chanting & percussion. ... LP, Vinyl record album
A live set recorded in 1965 – and more straight ahead soul jazz than Lou's later funk work on Blue Note, even though Leo Morris/Idris Muhammad is on drums. The album is a nice transitional session, though, with a good lounge jazz feel, and some nice long cuts like "Fried Buzzard", ... LP, Vinyl record album
Killer stuff – and an amazing album that not only showcases the varitone sax talents of Eddie Harris, but also features some fantastic arrangements by Chicago soul genius Charles Stepney! Harris plugs in right from the start – blowing an electric sax that comes up with some groovy ... LP, Vinyl record album