Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Chameleon (with bonus tracks)

CD (Item 823333) Elektra/Big Break (UK), 1979 — Condition: New Copy
$6.99 ...

CD

✈
List Price: 13.99

A group that you may not know by name – but which features some top-shelf production at the helm – work by both Fred Wesley and Azar Lawrance, plus supervision from one of the Mizell brothers! With all that talent on board, the record's way more than just another obscure one-off funk set on a major label – as some cuts echo the sharp funk that Wesley was using with the Horny Horns at the time, and others have a bit of the cosmic currents from Azar's own records – a blend of jazz funk and fusion, honed into razor-sharp grooves with a bit of an 80s vibe! The whole thing's great – a real lost gem from that brief stint when Elektra Records was putting out some real killers in the soul department – and titles include "Unfair Affair", "We'll Be Dancin", "Mysteryoso", "Game Of Life", "Come Into My Life", "For You", and "Get Up". CD features bonus tracks – "Get Up (12" disco version)" and "We'll Be Dancin (12" disco version)".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Soulmusic.com (UK), 1970s/Early 80s. New Copy 6CD set
A massive collection of work from Sister Sledge – a Philly quartet who were able to take an older version of female group soul deep into the disco years – then keep on making great music well into the 80s! The hits of the group are certainly well-known, but they've got a rock-solid ... CD
Arista/Soulmusic.com (UK), Late 70s/1980s/Early 90s. New Copy 12CD
A huge run of music from the legendary Dionne Warwick – all of it very different than her early work with Burt Bacharach, and brought together as a strong testament to her ability to change and grow over the years! Although Dionne started as a sweeter singer in the 60s, and had a few great ... CD
Cotillion/Robinsongs (UK), Late 70s/Early 80s. New Copy 3 CDs
A fantastic collection of grooves from Mass Production – one of the best of the large funk ensembles to hit the mainstream at the end of the 70s – even though they didn't always get the success they deserved! That doesn't stop these guys from giving their all, though – super-sharp ... CD
A&M/Robinsongs (UK), Late 70s. New Copy 2 CDs
4 classic records from LTD on 2CDs! Something To Love is a great little groover with arrangements by Philly Soul maestro Bobby Martin – who mixes together funk, club grooves, and smooth soul. Jeffrey Osborne's vocals really shine on this one, too! Osborne's emerging strongly in the mellow ... CD
Bell/Soulmusic.com (UK), Late 60s. New Copy 2 CDs
The complete works of this incredible 60s soul duo – a 2CD package that features both their albums for the Bell Records label, lots of contemporaneous 45s, and even some unreleased tracks too! James & Bobby Purify followed in a tradition that was strongly started by Sam & Dave – ... CD

Billy Ocean

Remixes & Rarities
Cherry Pop (UK), Late 70s/1980s/Early 90s. New Copy 2CD
A double-length collection of work from Billy Ocean – a soul singer who came of age during the era of the 12" single – which means that his catalog is filled with remixes, extended versions, and all the great b-side material that used to make up that great vinyl format! This ... CD

Patrice Rushen

Posh
Elektra/Strut (UK), 1980. New Copy
Nothing posh about this one – as the album's an all-out, all-access affair – a great way for anyone to get into the grooves of the mighty Patrice Rushen! Patrice is at the height of her powers here – equally magic on keyboards and vocals, and coming up with groove after groove in ... CD
De-Lite/Big Break (UK), 1983. New Copy
A sweet set that's part of a big early 80s run from Kool & The Gang – a time that saw the funk legends really hitting the mainstream, and winning over a huge new audience in the process! Given that the Gang virtually invented ensemble funk at the start of the 70s, they're perfectly ... CD
Big Break (UK), Late 60s/1970s/Early 80s. New Copy 2 CDs
One of the greatest female soul groups of all time – served up here in a career-spanning anthology that finally gets at the full range of their talents! The tracks here start in the trio's early years on Stax Records, move through their sublime 70s hitmaking years at Columbia, with lots of ... CD
Ariola/Big Break (UK), 1979. New Copy
A sweet bouncy groover – one of the rare albums of modern soul cut by the group Delegation! The group in this incarnation are a trio – Ray Patterson, Ricky Bailey, and Bruce Dunbar on vocals – stripped-down harmonically, a perfect fit for the album's groove-heavy arrangements. ... CD
Epic/Big Break (UK), 1980. New Copy
Killer soul from Heatwave – a tight little group who definitely made the UK proud at the end of the 70s! The album's a bit more obscure than the group's first few, but the sound is very much the same – a warmly grooving approach that's neither too disco, nor too sleepy – always ... CD
Fantasy/Culture Factory (France), 1980. New Copy
CD...$4.99 14.98
One of the last Ike Turner albums to contain lead vocals by Tina – a set from the start of the 80s, issued right before Tina hit that huge solo career on her own! Tina's vocals come in early and are in very much in fine form – more in the mode she'd use on records to come than her ... CD
 



⇑ Top