Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Rogues – Original Soundtrack

CD (Item 821008) RCA/Vocalion (UK), 1964 — Condition: New Copy
$18.99 ...

CD

A wonderful lost Nelson Riddle soundtrack – scored for the "gentlemen criminal" show The Rogues, which ran briefly on NBC during the mid 60s – starring Charles Boyer, Gig Young, and David Niven! The work is some of our favorite by Riddle during the period – lightly dreamy with strings one minute, and upbeat and jazzy the next – a full summation of the genius he'd developed during his years at Capitol, and made even better by some really swinging tunes! There's almost a Henry Mancini vibe to the whole thing, but the music also shows some of Riddle's more complex approaches to scoring – and the group features performances by west coast jazz musicians who include Plas Johnson and Harry Klee on reeds, Jimmy Rowles on piano, Bob Bain on guitar, and Dick Nash on trombone. Titles include "A Rogue In Rio", "From Rogues To Riches", "Gig", "Marcel", "Ilsa", "Latin Lady", and "One For The Rogue".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Henry Mancini

Party
RCA/Elemental (Spain), 1968. New Copy
A great Mancini score for one of the goofiest films of the 60s! Peter Sellers stars as the sitar-playing Indian actor Hrundi Bakshi – next to the lovely Claudine Longet, who makes one of her few film appearances – and the whole thing's set to one of the greatest scores ever by Henry ... CD
Corbett vs. Dempsey, 1981. New Copy
One of the first true moments of genius from producer Hal Willner – the man who helped open up so many ears to diverse music with projects like these! The album's a tribute to the music of Nino Rota, as used in the films of Federico Fellini – but rather than just be a slavish remake, ... CD
Butler (Netherlands), Early 70s. New Copy Gatefold
One of the spookiest soundtracks ever crafted by one of our favorite film composers of all time! Francois DeRoubaix always had this amazing style to his music – unlike anyone else, especially in the way he could blend together spare acoustic elements and unusual sonic and electronic touches! ... CD
CAM/Chris' Soundtrack Corner (Germany), 1979. New Copy
Stelvio Cipriani at his funkiest – taking all the lessons learned from his slinky, erotic sounds of the early 70s – and turning them into a mix of sweet sounds with a great late 70s vibe! Some tracks are upbeat and almost have a clubby feel, others have a great slow-stepping approach ... CD
Paramount/Quartet (Spain), 1963. New Copy
Two 60s sex comedy soundtracks – back to back on a single CD! George Duning is at his grooviest on the music for Who's Been Sleeping In My Bed – a great Dean Martin film from 1963, scored by Duning with a mixture of jazzy modes – often with woodwinds that are surprisingly ... CD

Guido & Maurizio De Angelis

Il Grande Racket (with bonus tracks)
Chris' Soundtrack Corner (Germany), 1976. New Copy
Fierce funky sounds from Guido & Maurizio DeAngelis – a duo who turned out some of the grooviest music on the Italian cop/crime scene of the 70s! The set's a killer right from the very first note – full of fuzz and funk, and lots of heavy rhythms at the bottom – all in a mode ... CD
Chris' Soundtrack Corner (Germany), 1971. New Copy
One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love ... CD

Stelvio Cipriani

Solamente Nero
Chris' Soundtrack Corner (Germany), 1978. New Copy
One of the darkest soundtracks we've ever heard from Stelvio Cipriani – a set that has some of the sweeter, more erotic touches of his other 70s work – but which also features a colder, electronic undercurrent as well – a very creepy style that's very much in the Halloween genre ... CD
Quartet (Spain), 1971. New Copy
Stelvio Cipriani at his keyboard-heavy best – working here at the start of the 70s, in a range of styles that's nicely varied from some of his later work! The score is filled with great lines on piano, organ, and even electric harpsichord – set to funky rhythms some moments, moodier ... CD
CAM/Quartet (Spain), 1969. New Copy
Some of the grooviest film music we've ever heard from Nora Orlandi – a nicely varied set of tracks done for a late 60s film that features four different sexual adventures! Given the story shifts, there's also a mood shift in the music – upbeat and jazzy at some points, mellow and ... CD

Phil Chilton & Peter L Smith/The Rage Within

Delitto Al Circolo Del Tennis (with bonus tracks)
Cinevox/Quartet (Spain), 1969. New Copy
A really fantastic soundtrack to a late 60s Italian film – and certainly one of the most obscure to ever be issued by the Cinevox label! The duo of Phil Chilton and Peter L Smith aren't well-known, but they did a really wonderful job here – crafting a mixture of funky psychedelic ... CD
Ropeadope, 2019. New Copy
CD...$9.99 13.98
A really great showcase for the continuing evolution of Christian Scott Atunde Adjuah – a musician who's become so much more than just a straight jazz trumpet with a soulful vibe – as you'll hear on this really compelling set! The music is even more expansive than Christian's recent ... CD
 



⇑ Top