Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Rogues – Original Soundtrack

CD (Item 821008) RCA/Vocalion (UK), 1964 — Condition: New Copy
Out Of Stock

CD

✈

A wonderful lost Nelson Riddle soundtrack – scored for the "gentlemen criminal" show The Rogues, which ran briefly on NBC during the mid 60s – starring Charles Boyer, Gig Young, and David Niven! The work is some of our favorite by Riddle during the period – lightly dreamy with strings one minute, and upbeat and jazzy the next – a full summation of the genius he'd developed during his years at Capitol, and made even better by some really swinging tunes! There's almost a Henry Mancini vibe to the whole thing, but the music also shows some of Riddle's more complex approaches to scoring – and the group features performances by west coast jazz musicians who include Plas Johnson and Harry Klee on reeds, Jimmy Rowles on piano, Bob Bain on guitar, and Dick Nash on trombone. Titles include "A Rogue In Rio", "From Rogues To Riches", "Gig", "Marcel", "Ilsa", "Latin Lady", and "One For The Rogue".  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Nelson Riddle

Rough Cut
Quartet (Spain), 1980. New Copy
A sweet Nelson Riddle soundtrack for a Burt Reynolds caper film – served up with a style that updates older Riddle modes for the 80s, but with a surprising current of jazz too! The jazzier modes are emphasized by a few older Ellington tunes in the mix – amidst newer Nelson tunes that ... CD
Butler (Netherlands), Early 70s. New Copy Gatefold
One of the spookiest soundtracks ever crafted by one of our favorite film composers of all time! Francois DeRoubaix always had this amazing style to his music – unlike anyone else, especially in the way he could blend together spare acoustic elements and unusual sonic and electronic touches! ... CD
Four Flies (Italy), Late 70s/Early 80s. New Copy
That's a sexy lady on the cover, and there's lots of sexy sounds within – music from a whole new generation of Italian soundtrack genius – a time when disco influences were being used to transform some of the groovy modes that always made Italian film scores so great! The disco styles ... CD
Croydon Municipal (UK), Late 50s/Early 60s. New Copy
CD...$3.99 13.99
Not the usual film themes of the late 50s and early 60s – no James Bond numbers or Henry Mancini hits – and instead, a very cool, very well-selected batch of tracks that really opens up this cinematic generation! All of the numbers stand very well on their own – and the set mixes ... CD
Croydon Municipal (UK), Late 50s/Early 60s. New Copy
CD...$3.99 13.99
Some of the coolest, most swinging film themes you'll ever hope to hear – not the usual band of over-hashed classics from the 50s and 60s – but instead a really fresh, obscure collection – and one that features lots of rare work from the British scene too! Vocals and ... CD
El (UK), Late 50s/1960s/1970s/1980s/1990s. New Copy 4 CDs
A huge set of music – one that's maybe a bit different than you might expect! Right from the start, Stanley Kubrick was a groundbreaking director – one who had a great sense of music on the screen – sometimes from film scores that he'd commission for his movies, sometimes from ... CD
Universal (France), 1960s/1970s/Early 80s. New Copy 4CDs
A huge batch of music from the films of French comedic actor Louis De Funes – a talent not that well known on our shores, but who graced the screens overseas for more than a few years in the 60s and 70s – and who received some of the grooviest soundtrack backings at the time! Even if ... CD
Sony (Japan), Late 60s/Early 70s. New Copy 2 CDs
A really wonderful collection of music penned by the legendary Michel Legrand – the French film maestro who's one of our favorite soundtrack composers ever – represented here in a beautiful assortment of lesser-known material! CD1 features tracks mostly recorded under Legrand's name ... CD
Warner/Wounded Bird, 1971. New Copy
CD...$6.99 11.98
One of the less-remembered records from the era of the giant rock festival – a set of tracks that were recorded during a wild cross-country hippie caravan! Although maybe not another Woodstock, the album does have some long live tracks that are really worth seeking out – in a ... CD
Quartet (Spain), 1970. New Copy
An extremely unique Henry Mancini soundtrack – scored for this European film that starred Marcello Mastroianni and Ingrid Bergman – with a sound that's almost in a similar mood to the work of Ennio Morricone from the same time! Most of the tracks are fairly dark and moody – with ... CD

Staple Singers/Curtis Mayfield

Let's Do It Again (with bonus tracks)
Warner/Omnivore, 1975. New Copy
One of our favorite albums ever from The Staple Singers – and that's really saying a lot, as they cut a huge amount of really great records! The album's an unusual collaboration between the group and Curtis Mayfield – one that forges the great vocal styles they were developing at Stax ... CD
Warner/Omnivore, 1976. New Copy
The Staple Singers and Curtis Mayfield – working together here in a very Curtom groove! This great little set picks off where the group's work on the Let's Do It Again soundtrack left off – taking The Staples far past their Memphis sound of the Stax years, into a hipper, more adult ... CD
 



⇑ Top