CD, LP, Vinyl record album cover art
Enlarge       Note

Witchdoctor's Son

CD (Item 81791) Steeplechase (Denmark), 1978 — Condition: New Copy
Out Of Stock

CD

(€- || £- || ¥-) (approx.)

A late 70s classic from South African bassist Johnny Dyani – and an album that reunites him with Dudu Pukwana, the saxophonist in their original group The Blue Notes! The album also features John Tchicai on both alto and soprano sax, as well as added guitar from Afredo Do Nascimento, plus some added percussion. Tunes have a nice rhythmic feel, but the solos are also quite raw and searing – really blowing open the whole thing, in the manner of some of the post-Blue Notes early 70s work by Pukwana, Dyanai, and sadly departed bandmate Mongezi Feza. Titles include "Heart With Minor's Face", "Magwaza", "Eyomzi", "Mbiza", and "Radebe". CD also features 4 bonus alternate takes!  © 1996-2017, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible. All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.

With our Used CDs, you can expect the disc to be free of all but the lightest of surface marks — clean, and not dirty at all. You can also expect the case to be clean (we often change the cases ourselves — putting fresh cases on Used CDs we handle) — and you can expect the booklet to be in good shape, unless noted otherwise. We will list any specific details/defects underneath the item — so look for notes on cutout marks in the case, stamps on the barcode, or details like that.


You might be interested


Faith
Steeplechase (Denmark), 2017. New Copy
Pianist Andy Laverne is really showing us all sides of his talents here – not just his wonderful skills on the keys of the piano, but also his strong ear for fresh compositions as well! All the tracks here are originals by Andy, and they're beautiful tracks that sparkle nicely with dark ... CD
Triple Play
Steeplechase (Denmark), 2017. New Copy
Harold Danko sounds wonderful here with his long-established trio – a group so well-matched, most of the songs on this set arose from collective improvisations during the recording sessions! Yet these aren't outside, avant tunes – in which all players roam freely in space – and ... CD
Message
Steeplechase (Denmark), 2017. New Copy
Pianist Joel Weiskopf has been making records for a number of years – but with each recent release, he seems to be honing his craft even more – able to balance darkness and light with effortless ease, but often in a way that never calls too much attention to itself, or to its maker! ... CD
Visitation
Steeplechase (Denmark), 1978. New Copy
One of the strongest statements ever recorded by bassist Sam Jones – a wickedly soulful session that cooks on all burners! The album's got a rich depth that far surpasses most of Jones' trio sessions – and is a full quintet album, with Terumasa Hino on cornet, Bob Berg on tenor, Ronnie ... CD
House That Love Built
Steeplechase (Denmark), 1982. New Copy
Brilliant work from a great player who never stopped growing! After a 70s career laced with some free and spiritual playing, Foster moves back to basics here by teaming up with pianist Horace Parlan and some European rhythm accompaniment – in a set that concentrates on tone, sound, and color! ... CD
Song For Biko
Steeplechase (Denmark), 1978. New Copy
Key work as a leader from Johnny Dyani – the legendary bassist from the pioneering South African combo The Blue Notes – recorded with a great quartet featuring Don Cherry, Makaya Ntshoko, and Dudu Pukwana! The album features a wonderful extended tune, running for all of side two, ... CD
Camel
Steeplechase (Netherlands), 1975. New Copy
A real gem of an album – the kind of spiritual 70s soul jazzer that we never tire of putting on the turntable! Drummer Michael Carvin heads a great group that features Cecil Bridgewater on trumpet, Sonny Fortune on alto and soprano, and Ron Burton on piano – and the ensemble grooves in ... CD
Dark Warrior
Steeplechase (Denmark), 1984. New Copy
A sweet little set – and a strong international meeting of talents, of the sort European labels were fond of putting together at the time! The group has a cohesive sound, as all have experience in both out and more swinging styles – and the great, and under-recorded, Charles Tyler ... CD
Dialogue (Divine Gemini/Tenderness)
Steeplechase (Denmark), 1977. New Copy 2CD
Fantastic vibes all around – a double set of work from the team of Walt Dickerson and Richard Davis! First up is the album Divine Gemini – a set that has some incredible interplay between the vibes of Walt Dickerson and bass of Richard Davis – both players who've already had a ... CD
Guitar Moments (Stolen Moments/Duets)
Steeplechase (Denmark), 1979. New Copy 2CD
Two great later albums from guitar legend Jimmy Raney – back to back in a single set! First up is Stolen Moments – a sweet set that has Jimmy's guitar matched with that of son Doug – both players working rhythm and melody, and skipping around each other in this joyous way that's ... CD
Hearts & Minds
Steeplechase (Denmark), 2017. New Copy
Pianist Mark Soskin has played on dozens of records over the decades, yet has given us just a handful as a leader – which is quite a shame, as his work on an album like this is totally great! The pianist has this warmth and flow right from the start – the kind of understated ... CD
Astral Spirits, 2017. New Copy
One of the trippiest Rob Mazurek albums in years, and one of the most mindblowing too – and that's before you even put on 3D classes to look at the album's cover art! The set was recorded at the experimental studios in the Marfa art colony in Texas – and Rob plays solo throughout, in ... CD
 



⇑ Top