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Stan Getz & Arthur Fiedler At Tanglewood
LP (Item 81737) RCA, 1967 — Condition: Very Good+$9.99 ...
LP, Vinyl record album
Originally: 11.99
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A beautiful bit of lost Getz from the 60s – a record of incredible depth that's somehow gotten lost in the shuffle of time! The album has Stan playing at Tanglewood with a core group that includes Gary Burton, Jim Hall, Steve Swallow, and Roy Haynes, plus musical backings by the Boston Pops – conducted by Arthur Fiedler in a style that's somehow without any of the hoke of his other recordings of the time, and which manages to give Stan some of the best "with orchestra" backings he's ever gotten! There's none of the overwrought modernism of some of the other Getz/orchestra collaborations that we never seem to like as much – and Stan's in incredible Spring Rain-like tone on the whole thing – blowing magically through both the lush and grooving numbers alike! Titles include "Tanglewood Concerto", "Where Do You Go", "Three Ballads For Stan", "A Song After Sundown", and a great orchestral take on "Girl From Ipanema". © 1996-2022, Dusty Groove, Inc.
(Red label stereo pressing with deep groove, 1s/1s stampers. Cover has a split top seam, light surface & edge wear, index sticker remnant.)
(Red label stereo pressing with deep groove, 1s/1s stampers. Cover has a split top seam, light surface & edge wear, index sticker remnant.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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