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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Includes cuts from 1958 sessions with Bent Axen on piano, Gunnar Johnson on bass, and William Schioffe on drums, and with the Ib Glindmann Big Band; and from a 1959 session with Ian Johansson on piano, Oscar Pettiford on bass, and Joe Harris on drums. LP, Vinyl record album
One of the best later moments from the great Stan Getz – a set we might even place on the same level as his 60s work for Verve – and certainly at the same par as his records in the 70s for Columbia! Yet this set is quite different than that latter batch – as it has Getz really ... LP, Vinyl record album
An incredibly haunting session that has Stan's edgey alto fronting some of Russ Garcia's arch-modernist string arrangements – similar to those that he contributed to other Verve albums of the same style. Getz maintains a wonderfully breathy tone that floats above the orchestrations, and the ... LP, Vinyl record album
Beautiful early bop material by Getz – recorded at Storyville with a crack little combo that includes Al Haig on piano and Jimmy Raney on guitar. The Raney/Getz sound is a great one – with Raney's jangly guitar notes providing a nice edge for Getz's smoother alto. Titles include " ... LP, Vinyl record album
One of Stan's earliest sides as a leader – recorded for Roost Records in the early 50s, and a beautiful 10" album! Players include Jimmy Raney on guitar, Horace Silver on piano, and Tommy Potter on bass – and titles include "Yvette", "Wildwood", "Lullaby ... LP, Vinyl record album
Pure genius from Stan Getz – a set that's got an understated brilliance from the cover and title right down to the music in the grooves – and maybe one of the best-ever pairings of the tenor of Getz with the guitar of Jimmy Raney! The pair work here in a hip combo with Duke Jordan on ... LP, Vinyl record album
Stan Getz makes a key musical trip to Sweden – to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish ... LP, Vinyl record album
A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways ... LP, Vinyl record album
A famous mid 40s performance – material from a 1947 show at New York's Town Hall – mixed with other tracks from around the same time! Players include Charlie Shavers and Bobby Hackett on trumpets, Jack Teagarden and Kid Ory on trombone, Duke Ellington on piano, and Johny Hodges on alto! LP, Vinyl record album