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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Some of the best Paul Horn recordings of the 70s – tracks that were recorded amidst the Brazilian fusion explosion of the 70s, and which really push Horn's sound to the limit! The album features work that Horn cut with the funky fusion group Nexus – very electrified tracks driven on by ... LP, Vinyl record album
One of the most ambitious projects ever from vibist Gary Burton – an extended piece written by Carla Bley – and billed as "A Dark Opera Without Words"! The work has a feel that's much more fluid than opera, though – and is a great instrumental outing that not only ... LP, Vinyl record album
A beautiful bit of lost Getz from the 60s – a record of incredible depth that's somehow gotten lost in the shuffle of time! The album has Stan playing at Tanglewood with a core group that includes Gary Burton, Jim Hall, Steve Swallow, and Roy Haynes, plus musical backings by the Boston Pops ... LP, Vinyl record album
A bit of an obscure session, but the first of John Lewis' works for a larger jazz orchestra – recorded with a lineup that includes larger strings and woodwinds next to rhythm backing by Percy Heath and Connie Kay of the MJQ! The tracks are all longer originals arranged by Lewis – ... LP, Vinyl record album
A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways ... LP, Vinyl record album
With sidemen that include Coleman Hawkins, Roy Eldridge, Buster Bailey, Red Allen, and others. Titles include "Sweet Music", "I Wanna Count Sheep", "Poor Old Joe", "Jangled Nerves", "Tidal Wave", "Variety Stomp", "Poor Old Joe", ... LP, Vinyl record album
An RCA classic from Shorty – one that features an expanded version of his Giants group, running through some of the best compositions of Richard Rogers! The gimmick of the twin Rogers in the title notwithstanding, the album's a pretty tight little set – as Shorty's leading an all-star ... LP, Vinyl record album
Shorty Rogers courts Count Basie – but he does so in a way that's definitely all his own! The material may have Basie roots, but the overall execution is Shorty at his early 50s best – in a way that makes the album one of his strongest for RCA at the time – and that's saying a ... LP, Vinyl record album
Short tight ensemble jazz tracks, very much in a LA style from the initial post-cool years – set to tunes written by the legendary Harry Warren. The group includes Pell, Jack Sheldon, Bob Enevoldsen, Paul Moer, and Mel Lewis – and tracks include "Lulu's Back In Town", "Ja ... LP, Vinyl record album
Sweet funky 70s work from Cannonball Adderley – a record that has him revisiting older tunes from his early soul jazz years – but in ways that give them a whole new electric vibe overall! The album's actually Cannonball's last full studio set, but it's also one of his greatest too ... LP, Vinyl record album