This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Probably the best of Buddy Montgomery's solo albums, with a tight little group that features Mel Rhyne on organ, Jodie Christian on piano, and brother Monk Montgomery on sweet heavy bass – all coming together in a messed up style of funky jazz! Buddy plays piano and vibes on a number of ... LP, Vinyl record album
Sweet electric work from Ron Carter – subtle magic in the best CTI mode! Ron arranged the set himself, but he's working with a core group of CTI players that includes Bob James and Richard Tee on electric piano, Hubert Laws on flute, Ralph MacDonald on percussion, and Billy Cobham on drums ... LP, Vinyl record album
A great album by Stan Kenton – a reading of the Hair score, and a lot groovier than most of his other 60s work! Part of the reason for this is Ralph Carmichael – who does the arrangements for the record, and brings in plenty of the cool touches he was using on his own records from the ... LP, Vinyl record album
Although this should be a "sell out" album for Stan – because it's got his tenor set amidst some sweeping larger arrangements – it's actually still a pretty dope little LP, and one that shows Turrentine's capacity for hitting a nice groove in kind of a soundtrack-y funk vein. ... LP, Vinyl record album
Like Dave Brubeck's legendary Time Out set? Try this one – a great record that takes off from the concept of the first, but which goes in some very fresh new directions – using the same great group with Paul Desmond on alto, Eugene Wright on bass, and Joe Morello on drums! Dave's ... LP, Vinyl record album
Brilliant modern jazz from German trombonist Albert Mangelsdorff – recording here in 1964, but sounding years ahead of his time, with an amazing a blend of jazz and Asian styles! The album's one of Mangelsdorff's best ever – a set of rhythmic tunes that seem clearly informed by the ... LP, Vinyl record album
A perfect example of the old adage that the funkier the band's name is, the less funky their music will be! Not that the group's really that bad or anything – they're just not the all-out party jam you'd expect from an ensemble with "ebony" and "funk" in their name. The ... LP, Vinyl record album
This Is Sinatra indeed – a wonderful collection of singles, and a near-lost album to the shifting sands of time! The record wasn't one of Frank's "album concepts" for Capitol, and has since been dismantled in the catalog – but for many in the 50s, this was one of THE Sinatra ... LP, Vinyl record album
A sweet bit of funky jazz vocals from Oscar Brown Jr – recorded during his early 70s stay at Atlantic Records, in a style that's very different than his early work! The tracks are all still original numbers by Oscar – penned with that clever bad-rapping approach to the lyrics that ... LP, Vinyl record album
The groovy Cuarteto D'Aida were sort of a Cuban version of the Quarteto Em Cy – in that they took a basic American jazz harmony vocal style (from groups like the Four Freshmen or Hi-Los), and gave it a all-female reading, with Latin grooves to change up the sound nicely! The legendary Omara ... LP, Vinyl record album