Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Six Feet Under Vol 2 – Ghost Memories

LP (Item 808938) Mississippi, Late 50s/Early 60s — Condition: New Copy

Haunting work from the hillbilly underground at the end of the 50s – music that's a bit rock, a bit country, and often has the haunting feel you'd expect from the title! The tracks are very well-chosen – pulled from a range of indie label singles that we never would have stumbled upon otherwise – all in territory that feels even more deeply-dug than the music we love on a good Bear Family compilation! Titles include "Walking The Streets After Dark" by Willie Hays, "Ghost Memories" by Gene McKown, "Fool Fool Fool" by Bill Whitley, "Cravin" by Bobby Roberts, "Sunset Blues" by Tony & Jackie Lamie, "Waiting For A Train" by Blankenship Brothers, and "Three Years" by Harold L & The Offbeats.  © 1996-2020, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Mississippi, Late 50s/Early 60s. New Copy
Raw sounds from the American underground – a great set of twang-heavy tracks from obscure 45s – most of them with a unique blend of rock and country styles! There's lots of the spirit here of Johnny Burnette – and a few artists actually seem to pay him tribute with their work ... LP, Vinyl record album
Mississippi, 2018. New Copy
Surprisingly beautiful sounds from Space Lady – a long-running street performer from the San Francisco scene – one who's almost to that city what Moondog was to New York in the 50s! Like Moondog, the Space Lady has this under-tapped genius – this spare, simple way of putting ... LP, Vinyl record album
Chump Change, Early 60s. New Copy
A host of amazing productions from the legendary Joe Meek – the UK studio genius who made some really incredible music in the 60s! Joe had a sense of echo, space, and electronics that was unrivalled by anyone else working in London at the time – and his music here easily rivals the ... LP, Vinyl record album

Dead Moon

Defiance
Mississippi, 1990. New Copy
Dead Moon's third album – bursting into the 90s with Defiance – a record that arrived when some fellow Pacific Northwest underground rockers were getting ready to be flung head first into the mainstream, but DM remained defiantly underground! Even though this third album, they were ... LP, Vinyl record album

Jimi Hendrix Experience

Axis Bold As Love (180 gram vinyl)
Legacy, 1967. New Copy Gatefold (reissue)
The Jimi Hendrix Experience at their most classic! Tripped out bluesy cosmic rock ferocity and great songs, too – firing on all cylinders here on the middle record of their ultra epic three LP series of unimpeachable greatness. Titles include "EXP", "Up From The Skies", ... LP, Vinyl record album
Factory/Rhino, 1983. New Copy
Arguably the most perfect record ever from New Order – a stunning second full length set that has the group emerging from the turgid depths of the early post-Ian Curtis years, and before the schmaltzy pop of the John Hughes generation! The electronics are wonderful – definitely a few ... LP, Vinyl record album
Parlophone, 1971. New Copy (reissue)
Quite possibly David Bowie's first complete moment of genius – an incredibly-formed album that's filled with tunes beyond definition and description! There's still some traces of the earlier madman in the mix, but the overall sound is much more rock-heavy – although not without the ... LP, Vinyl record album
Nems/Warner, 1971. New Copy Gatefold (reissue)
Quite possibly the greatest moment of genius ever from Black Sabbath – and a genre-changing record that influenced generations! The group are at their lean, raw best here – free from any cliches at all, and working in an incredibly heady brew of fuzzy guitar, romping bass, and dark ... LP, Vinyl record album

Pearl Jam

Ten
Epic, 1991. New Copy
Anthemic early 90s rock from Pearl Jam – one of the biggest debuts of all time and for good reason! Ten has a big, classic rock-reared sound, but done with such forthright sincerity and for the time, completely refreshing lack of macho posturing, it really was the perfect formula for a ... LP, Vinyl record album
Numero, Mid 60s. New Copy 2LP Gatefold
One of the deepest digs into the 60s girl group scene we've ever seen – a package that not only gets way way past the big hits of the time, but also provides much better sound and way more context than the sorts of dodgy CDr collections that have spotted the market for years! It's great to ... LP, Vinyl record album
Vertigo/Alucard (UK), 1970. New Copy (reissue)
The amazing first album from Gentle Giant – a crucially overlooked group from the key years of the UK jazz-rock scene! The album definitely comes at things from a rock perspective, but there's a hell of a lot of fusion in the mix too – especially in the guitar and keyboard parts, which ... LP, Vinyl record album
Mercury/Culture Factory, 1977. New Copy Gatefold (reissue)
The teen Queens Of Noise tearing it up live in Tokyo! From the beginning, the jaibait cultural baggage tended to cast a larger shadow than their music, which is damn shame, because The Runaways are badass, killer rock & roll band – and they prove that here in epic fashion – ... LP, Vinyl record album
 



⇑ Top