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Praise Poems 4 – A Journey Into Deep Soulful Jazz & Funk From The 1970s
CD (Item 807931) Tramp (Germany), 1970s — Condition: New Copy
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There may be different interpretations or standards used to grade pre-owned vinyl record albums & CDs.
These are the grades that we use and what they mean for items that are not new copies.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally,
all of our records are graded visually;
considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
This is what it says, that the record is still held fast in shrink-wrap.
We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't
look original, or if the record seems to have undergone some damage over time,
we'll probably take it out of the wrapper to ensure that it's in good shape —
which is why we don't have more of these. In some cases the shrink-wrap may be
torn in spots, but if it's not possible the record has been taken out and played,
the record will still qualify as "Sealed".
Dusty Groove does not use the grades of Near Mint
(or Mint, for that matter) because in our experience, we find that no records
ever qualify for such a high grade. Even sealed records tend to have one or two
slight faults, enough to usually qualify them for a grade of NM- or lower. We've
often found that records which are clearly unplayed will have a slight amount of
surface noise, especially in quieter recordings.
Near Mint - (minus)
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Very Good + (plus)
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Vinyl can have some dirt, but nothing major.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Good + (plus)
Vinyl may be dirty, or have one outstanding flaw,
such as a light residue, which could be difficult to clean.
May have marks on all parts, too many to qualify as Very Good-,
or several deeper marks, but the record should still be ok for play without skips.
In general, this is a record that was played a fair amount,
and handled without care. A typical example may be a record which has
been heavily played by a DJ, and carries marks from slip cueing.
Depending on the quality of the vinyl, may play with surface noise throughout.
A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
This is a grade we rarely use, as we try not to sell records
in very bad condition, though in some rare cases we will list a
record in such bad shape that it does not conform to the standards above.
A "Fair" record will have enough marks or significant flaws that it
does not even qualify as "Good", but is a copy you might consider
for playing, if you're willing to put up with noise and/or flaws.
An example might be a recording with surface noise so heavy that
it is equal to the volume of the music. For records listed as "Fair",
we will describe the extent of the condition in the comments.
Like "Fair", we rarely list records in this condition,
as they represent the extreme low end of spectrum.
These records typically have multiple serious problems,
and we offer them as "relics" or "objects" only — for
those who want to at least have a copy of a record,
even if it is not really worthy of play, perhaps for the cover alone.
For these records, we will describe the extent of the condition in the comments.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We only use the grade "Used CD" for non-new CDs.
This all-encompassing grade was chosen it because we only buy and offer
used CDs in the best possible condition.
When you purchase a used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use, but if there are significant details or
defects we will describe the item's condition (just like we do with LPs),
so look for notes on cutout marks, stickers, promo stamps or other details before ordering.
All of our used CDs are guaranteed to play without skipping or flaws.
After you receive a used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly.
If it does not, you can request a return for a full refund.
A tremendous entry in this great series that seems to go out of its way to prove that you can't judge a book by its cover – as the whole thing has nothing to do with flowers in a field, and instead overflows with rare jazzy cuts from the 70s! There's a very special vibe to the Praise Poems ... CD
This series keeps blowing us away with each new entry – taking us into musical territory that's completely its own, in a way that few other compilations have ever done! The cover is a bit misleading, as the territory here is the farther reaches of hip soul and groovy jazz in the 70s – ... CD
Fantastic sounds from this always-great series – one that's always got an unassuming title, but which always turns us onto a great range of songs we've never heard before! As with previous volumes, the approach here is really unique – not really spiritual jazz, or righteous soul – ... CD
A sweet selection of lovers rock tracks that take on big soul hits of the 70s – tunes that often have a bubbling bit of reggae in the rhythms, but which always feature a strong soul-based singer right up front! The tunes offer up not just a great example of the way that lovers rock could ... CD
A record with a sound that's much richer than you'd expect from the cover – not the spare, stark image on the front – but a wonderfully deep array of sounds from the more spiritual side of the jazz spectrum! As with previous volumes, the collection of tunes here is amazing – ... CD
A set that definitely takes its title seriously, and which is heavily focused on tunes from the most righteous years of soul music – very heavy on late 60s/early 70s gems from American indie labels, including some killer tracks from the Ronn/Jewel/Paula family of labels! As the title ... CD
A really great package of contemporary funky cuts – put together in collaboration between the folks at Wax Poetics Japan and P-Vine Records – and filled with an international assortment of artists that all lean very heavily on the best spirit of 70s funk and soul! We love the albums by ... CD
Fantastic funky club from one of the hippest soul labels of the 70s – Detroit powerhouse Westbound Records – home to Funkadelic, The Counts, and some other very hip artists! Westbound disco isn't the same as the grooves you'd hear from Philly and New York – because the label ... CD
More funky breaks than Evel Knevel after the Snake River Canyon jump! The groove hounds at BGP records were set loose on the Ace catalog – which includes holdings from Atlantic, Stax, Volt, Westbound, and other funky classic labels – and they managed to come up with a killer batch of ... CD
Spiritual sounds from the source – a host of incredible tracks from a time when jazz was really opening up into new dimensions – as players stepped forward in a wave of strong post-Coltrane energy to really push the music into the skies! The music here can be seen as a blueprint for ... CD
Righteous jazz, but with a bit of a funky twist too – a great selection of classics from the years when 60s soul jazz was reaching out with a new sense of pride and power, and finding a way embrace all of the musical changes that were coming its way! The music here is often by artists who ... CD
Really cool cuts from the French club scene of the 70s – a weird and wonderful assortment of sounds that all came from producer Daniel Vangarde and his Zagora Record label – a place where all sorts of criss-crossing styles could work together in a really wonderful way! Some moments ... CD