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Son Of Gunn!!

LP (Item 8056) Contemporary, 1959 — Condition: Near Mint-

A crackling set of crime jazz from drummer Shelly Manne – a follow-up to his first set of work from the Peter Gunn soundtrack, and arguably even better than the first! Manne's working here with a great combo that includes Victor Feldman on vibes, Joe Gordon on trumpet, and Richie Kamuca on tenor – playing with a warmly raspy tone that gives the work a quality that's even more soulful than the Henry Mancini originals that inspired the set, and which is perfectly matched with the trumpet of Joe Gordon. There's a depth here that goes way beyond the simple soundtrack roots of the material – and the arrangements on the set are proof that Manne was one of the hippest-thinking jazz cats on the mainstream LA scene of the time. Titles include "Spook", "Joanna", "Walkin Bass", "Blues For Mothers", "Odd Ball", "Blue Steel", and "Goofin At The Coffee House".  © 1996-2019, Dusty Groove, Inc.
(Mono pressing with deep groove. Cover has some wear and aging.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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