Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art

Bright & Breezy

LP (Item 80568) Jazzland, 1961 

...

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Moodsville, 1958. Near Mint-
Red Garland's sound was already often mellow and laidback in the late 50s, but it takes on a whole new sense of that style here in a rare session for Prestige's Moodsville label! As with others on the imprint, the focus here is on the gentler sounds of the late nite scene – more ballads and ... LP, Vinyl record album

Red Garland

Auf Wiedersehen
MPS (Germany), 1971. Near Mint-
A rare early 70s session from pianist Red Garland – one of his first in many years after a strong 50s run for Prestige! The record shows Red losing none of his warmth and grace on the keys – and he's set up in a great trio with Sam Jones on bass and Roy Brooks on drums – both ... LP, Vinyl record album

Red Garland

Manteca
Prestige, 1958. Very Good
One of the best by Red Garland for Prestige – a totally cooking record that features some great added conga work from Ray Barretto! Ray's presence really helps the record live up to its Latin-styled title – and Garland's usual trio with Paul Chambers on bass and Art Taylor on drums ... LP, Vinyl record album

Rene Thomas

Guitar Groove
Jazzland, 1960. Near Mint-
Belgian guitarist Rene Thomas was one of the few players to break out of the postwar Paris jazz scene and actually get to record in America – and on this classic set from 1960, he's grooving with a very hip group that includes JR Monterose on tenor, Hod O'Brien on piano, and the rhythm ... LP, Vinyl record album

Clifford Jordan

Starting Time
Jazzland, 1961. Sealed
A great early Clifford Jordan record, and a tight bit of jazz from this great Chicago tenor player. Another Chicago favorite, Wilbur Ware, is on bass, and a young Cedar Walton's playing piano, and with warmth like that, Jordan and trumpeter Kenny Dorham sound great next to each other. Loads of ... LP, Vinyl record album
Jazzland, Late 40s. Near Mint-
First volume of sessions originally recorded for radio on acetates, then transferred to tape in 1961 and released as 2 albums on the Jazzland label in the early 60s. The sides are noteworthy in that they offer some important early performances by Navarro – working with the Tadd Dameron band ... LP, Vinyl record album

Les Spann

Gemini
Jazzland, 1961. Near Mint-
One of the few albums ever cut as a leader by Les Spann – an extremely talented jazz player who worked a lot with Dizzy Gillespie in the 50s, and Quincy Jones in the 60s! Les plays both guitar and flute on the set – grooving soulfully in a mode that recalls the stylings of Frank Wess ... LP, Vinyl record album
Jazzland, Late 40s/1962. Very Good+
Very sharp LP issue of some of the legendary late 40's bop recordings that were cut in New York under the leadership of Tadd Dameron! The groups are all pretty darn smoking, and the record features some classic work by Fats Navarro, Allan Eager, and Kenny Clarke. Tracks are longer than the usual ... LP, Vinyl record album

Chris Anderson

Inverted Image
Jazzland, 1961. Near Mint-
An obscure trio side from under-recorded Chicago pianist Chris Anderson – who plays here with Bill Lee and either Walter Perkins or Philly Joe Jones on drums, in a trio that made the core of the rhythm section on Frank Strozier's excellent Jazzland date, Long Night. The group is in fine form ... LP, Vinyl record album
Jazzland, 1960. Near Mint-
Excellent work from Oscar Pettiford – his last sessions, in case you couldn't tell by the title, recorded in Copenhagen in 1959 and 1960, with players that include Allan Botchinsky on trumpet, Jan Johansson on piano, Erik Nordstrom on tenor, and Luis Hjulmand on vibes. Despite the ... LP, Vinyl record album

Sonny Red

Breezing
Jazzland, 1960. Very Good
A real winner from Sonny Red's initial burst upon the New York scene – and a great mix of soul jazz and hardbop, all augmented by Red's wonderful tone! The group's a sextet, in the tight Jazzland style – and players include Barry Harris, Blue Mitchell, and Yusef Lateef. Tracks are ... LP, Vinyl record album

Jimmy Smith

Sit On It!
Mercury, 1977. Near Mint-
One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his Gears period – arranged by Eugene McDaniels and Alan Silvestri, with an approach ... LP, Vinyl record album
 



⇑ Top