This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible.
When you purchase a Used CD you can expect the disc to be free of all but the
lightest of surface marks, the case to be clean (we often change the cases ourselves),
and the booklet to be in good shape.
Used CDs may show some signs of use but if there are significant details or
defects we will list them underneath the item — just like we do with LPs —
so look there for notes on cutout marks, stickers, promo stamps or other details.
All of our Used CDs are guaranteed to play without skipping or flaws.
If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine
that it plays correctly —
and if it does not, then you may return it for a full refund.
A beautiful little album – filled with jazz, soul, and a sense of collaboration that's extremely unique! Andy Hammill's a bassist on the British scene, and has played on a range of some of the hippest sessions in London during the past few years. For the set, he gathered together a host of ... CD
The remixers really go to town here – pulling apart tracks from Ursula 1000, and strongly remaking them in their own versions! That's not necessarily a bad thing, though – as the record really crackles with life, and features a lot more sounds than you might expect from a standard ... CD
One of the best of the later volumes of the Totally Wired series, and a great mix of UK acid jazz tracks from the early 90s' and classic soul and funk from the 70's. Tracks include "Couldn't Take The Missing You" by Jessica Lauren, "In Deep" by Red Snapper, "Indian Rope ... CD
One of the most captivating albums we've heard on Ubiquity in a long time – and one of the most gentle, too! Damon Aaron's a wonderfully skilled singer/songwriter – one with a pensive, quiet sort of feel – but never in ways that are sleepy or noodly. Instead, he brings a bit of ... CD
Forward, indeed – this this a big step up and some of the best work yet from TM Juke – his debut for Ubiquity! On Forward, the crafty producer/arranger/DJ, pushes the laptop bits and broken beats a little further out to the fringes – and focuses on the richer soul approach we ... CD
The long awaited return of a true jazz genius! Marc Moulin is famous among groove hounds for his 70s keyboard work – sort of a European answer to Herbie Hancock's electric period, recorded on records under Moulin's own name, and with the group Placebo. Moulin's been lost to our ears for ... CD
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, ... CD
A very full-on hard heavy fusion album! Drummer Billy Cobham lays down some massive hard beats, while Tommy Bolin wails away on guitar, Jan Hammer pounds on electric piano, and Lee Sklar noodles on electric bass. 2 cuts feature a different lineup with Joe Farrell and Jimmy Owens – but the ... CD