Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Il Grande Racket (with bonus tracks)

CD (Item 802332) Chris' Soundtrack Corner (Germany), 1976 — Condition: New Copy
Out Of Stock

CD

✈
❔

Fierce funky sounds from Guido & Maurizio DeAngelis – a duo who turned out some of the grooviest music on the Italian cop/crime scene of the 70s! The set's a killer right from the very first note – full of fuzz and funk, and lots of heavy rhythms at the bottom – all in a mode that's free from some of the disco touches that came into Italian cinema a few years later – and served up in these short, sharp tunes that pack a hell of a lot of punch into a very short space! The basslines are nicely offbeat – never just copping an American funk mode, but instead in this very driving, dramatic Italo-crime mode that's totally wonderful – that sense of urgency that can only come from a rooftop fight in Rome, or a car chase down the streets of Milano. Titles include "Caccia All'Uomo", "Visioni", "Il Grande Racket", "Ultimo Inseguimento", "The Taste Of Love", and "Seconda Allucinazione". CD features lots of bonus tracks – 37 titles in all!  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Guido & Maurizio De Angelis

E Poi Lo Chiamarono Il Magnifico
Digitmovies (Italy), 1972. New Copy
A really strong little western score for this obscure Terence Hill film from the early 70s – a soundtrack that still works in the conventions of the spaghetti western genre, but which also uses other instrumental twists from time to time – making for a nicely varied set! A few of the ... CD

Stelvio Cipriani

Second Spring
CAM/Chris' Soundtrack Corner (Germany), 1975. New Copy
A great little soundtrack – one that's in a mode that might well be our favorite from the Italian scene of the early 70s – a style that's funky and breezy at once, dreamy and groovy, and delivered with instrumental inflections that still have us scratching our heads at the process! ... CD
Chris' Soundtrack Corner (Germany), 1974. New Copy (reissue)
A single soundtrack – but one that features killer work from a host of the best Italian composers of the scene at the time – including Stelvio Cipriani, Carlo Rustichelli, and Daniele Patucchi – all of whom come up with some great electric funk for the set! The mix of composers ... CD
CAM/Chris' Soundtrack Corner (Germany), 1979. New Copy
Stelvio Cipriani at his funkiest – taking all the lessons learned from his slinky, erotic sounds of the early 70s – and turning them into a mix of sweet sounds with a great late 70s vibe! Some tracks are upbeat and almost have a clubby feel, others have a great slow-stepping approach ... CD
Chris' Soundtrack Corner (Germany), 1981. New Copy
A sweet sexy jungle soundtrack – issued for a film that appeared with many different erotic titles – but only this one great set of grooves from Stelvio Cipriani! Given the island setting of the narrative, there's a good amount of acoustic percussion in the mix – congas and other ... CD
Chris' Soundtrack Corner (Germany), 1971. New Copy
One of the coolest 70s soundtracks from the great Stelvio Cipriani – served up here with a huge amount of bonus tracks too! The music here was scored for a Mario Bava horror film, but it often has a quality that's more lean and lovely overall – that current of sex that we always love ... CD
Chris' Soundtrack Corner (Germany), 1980. New Copy
The cover's black and white, but the music is very colorful – sweet 70s sounds in the best style that we love from Stelvio Cipriani – which includes some especially great use of keyboards and piano! Many of these tracks have that mellow funk mode that really set Cipriani apart from the ... CD
Universal (France), 1960s/Early 70s. New Copy 6CD
A much-needed look at an overlooked side of the genius of Quincy Jones – not his jazz work, not his productions for famous soul artists, but instead his huge legacy of soundtrack material – a part of Q's career that really took off in the 60s! By the time he started working in films, ... CD
Corbett vs. Dempsey, 1981. New Copy
One of the first true moments of genius from producer Hal Willner – the man who helped open up so many ears to diverse music with projects like these! The album's a tribute to the music of Nino Rota, as used in the films of Federico Fellini – but rather than just be a slavish remake, ... CD
El (UK), Late 50s/Early 60s. New Copy 3CD
The great John Barry as a young man – stepping out here on songs that are a lot more rocking than his later fame as a soundtrack composer – served up in a massive 3CD box that collects together singles for Parlophone and Columbia, plus some early rock songs from films! The style here ... CD
Quartet (Spain), 1989. New Copy
A really wonderful jazz soundtrack by Herbie Hancock – recorded at the end of the 80s, a decade when Herbie was spending a lot of time on keyboards – but with a rock-solid older jazz vibe that really fits the vintage Harlem setting of the film! The music mixes larger arrangements with ... CD

Nelson Riddle

Rough Cut
Quartet (Spain), 1980. New Copy
A sweet Nelson Riddle soundtrack for a Burt Reynolds caper film – served up with a style that updates older Riddle modes for the 80s, but with a surprising current of jazz too! The jazzier modes are emphasized by a few older Ellington tunes in the mix – amidst newer Nelson tunes that ... CD
 



⇑ Top