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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Straight ahead soul jazz traditionalism – with a lineup that includes Johnny Hodges; alto sax. Wild Bill Davis; organ. Kenny Burrell; guitar. Joe Wilder; trumpet. Osie Johnson or Ed Shaughnessy; drums. Features Davis' "Stolen Sweets", Hodges' "A & R Blues", "Lost ... LP, Vinyl record album
One of the first albums in what was to become a very successful pairing – the bass of Ray Brown and the vibes of Milt Jackson, working here in a down-homier setting that was miles away from his work with the MJQ! The set's got a light jazzy backing on most tracks – with some guitar ... LP, Vinyl record album
A real treasure, and a record that may well be our favorite Jimmy Smith album for Verve – a masterful meeting of his smoking Hammond work with some swingingly sophisticated arrangements by Oliver Nelson and Claus Ogerman! Both Nelson and Ogerman bring a fuller spectrum of horn work to the ... LP, Vinyl record album
One of Jimmy Smith's biggest albums of the 60s – and a classic Verve pairing of his lean Hammond organ solos with the fuller, hard-swinging arrangements of Oliver Nelson! Nelson is working here at the height of his powers – backing Smith with a large group, but in a way that only seems ... LP, Vinyl record album
A collection of sides cut in the mid 60s by Wes during his association with Verve. Culled from the albums Movin' Wes, Bumpin', Goin' Out Of My Head and Tequila, these numbers all feature the larger arrangements that gave those albums a richer sound than his small group recordings, though Wes' ... LP, Vinyl record album
One of the last albums that Cal Tjader ever cut for Verve – and it's also one of the best! The great Joao Donato's sitting in on piano, and the set has a beautiful mix of Brazilian and Latin grooves, with added Verve groovy touches thrown in for good measure! Don Sebesky did the ... LP, Vinyl record album
Hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time ... LP, Vinyl record album
One of the strongest sides to feature Diz's mid 50s format – a larger group than usual, an octet, with a more tightly arranged style that showed that he continued to develop as an artist long after the days of his early bop sides. The album's also noteworthy for demonstrating Dizzy's great ... LP, Vinyl record album
We don't know if we'd stretch so far as to use the word "exciting" to talk about Terry's work – but his band here is filled with some great west coast players – including Bill Perkins, Richie Kamuca, Mel Lewis, Frank Rosolino, and Joe Maini – all coming together with a ... LP, Vinyl record album
Great RCA comp of Dizzy's earlier bop sides for the label, many of which came out first only as singles. Tracks include all the classics like "Cubana Be", "Cubana Bop", "Manteca", "Night in Tunisia", and a whole bunch more that you've heard him reprise a ... LP, Vinyl record album
Sonny Stitt's going down slow here – hitting a groove that's a bit more laidback than some of his funkier albums for Prestige, but one that's still pretty darn great overall! The sound is almost in a Stanley Turrentine mode at CTI – with fuller arrangements behind his saxophone solos, ... LP, Vinyl record album