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Hot Thang

LP (Item 7981) Sussex, 1972 — Condition: Very Good

A heck of a great little guitar funk album – a rare early 70s session from the groovy Eddy Senay – an artist that we'd rank right up there with bigger names like Phil Upchurch, David T Walker, Dennis Coffey, or Eddie Fisher at the same time! Fisher's maybe the best comparison here – especially his second album for Cadet – as the style here is clearly born in jazz, but taken through lots of soul and funk territory – so that the instrumental tunes are maybe even heavier on groove than solo space – although Senay manages to deliver plenty with his fuzzy tone on the strings! Eddie's got roots in Detroit, and there's almost some Westbound Records elements taking place here at times – as the set was recorded in the Motor City with help from Johnny Clapton and Thomas Hale on tenor, Rudy Robinson on keyboards, Gordon Camp on trumpet, and some especially great work from Eddie Bongo Brown on congas – whose groove really adds a deeper layer to the tunes. Titles include great remakes of Donny Hathaway's "Zambezi" and Bill Withers' "Ain't No Sunshine" – plus "Jubo", "Hot Thang", "Message of Love", and "Down Home".  © 1996-2020, Dusty Groove, Inc.
(Cover has a cutout hole, ring & edge wear, half split top seam, and some splitting in the bottom seam and spine.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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